Trading Robots - Broker Test

I want a cleaning robot that can handel my lava stone floor.

So i have a house with lava stone floor and it’s been some years since i had a cleaning robot. The problem used to be that the robot always broke it’s weels because of the hard lava stone floor so that’s why i stopted getting them! I was just thinking if anybody could tell me if there is a cleaning robot nowadays that can handel a lava stone floor..
submitted by BloodGuy980 to VacuumCleaners [link] [comments]

Teilnehmer für Online-Studie gesucht! Thema: "Online-Studie zum Thema 'Humanoide Roboter im Handel'" https://bit.ly/2xhaPZm via @SurveyCircle #robotics #HumanoidRobots #roboter #serviceroboter #soscisurvey #humanoid #umfrage #surveycircle https://bit.ly/3bFI2fO

submitted by surveycircle to SurveyCircle [link] [comments]

EE - Stuff to learn (during Freetime)

Preamble:
This should be a list of topics you can learn in general (and as long this is EngineeringStudents you may not learn in courses as well). Have a look what might fits you, what can be a benefit for you in future and what sounds fun. This list will never be 100% correct, there will be stuff missing and maybe some things change over time (also a lot of typos and bad grammar, I'm sorry). But with your help we may create a list with interessting and helpful topics. Yes this post was made around half a year ago, but is usefull in my opinion and would be to sad to be lost in the archive.
Hello everyone,
I noticed a couple of posts in the last weeks where people are looking for stuff to learn, but are not sure what. So I want to make a small list of EE-stuff what I recommend, beside most standard stuff (like Calc I, Ohms law etc.). I have no clue about other engineering fields (I'm into automation & robotic), but maybe YOU can help out for your engineering field, but please in another topic, not here*!* (but will be linked, if you post them in the comments)
One general advice, if you know where you want to work in future, you shall not wear blinkers and concentrate just on stuff of your field. Take a look outside the box and try to learn some stuff. You don't have to be a master on all fields, but be able to know what other engineers are talking about. Short notice: I try to list mostly free or open-source stuff, because some of us haven't got a student-licence (and/or the money), but I also know that you can't beat some commercial products so far.
General Stuff:
Programming languages:
Electronic stuff:
Automation &Robotic:
Information - and communications technology:
Micro- and Nanoelectronics:
Power Electronic/Electric:
Craftmanship (can be tricky, because you may not get the tools and somebody with experience for that)
Softskills:
Yes I can see some of you are rolling with their eyes and thinking "serious"? And you are right! And wrong! Don't underestimate Softskills. Having lectures about that stuff is sometimes pretty boring, but you won't believe what people are out there not being able to handle stuff. Neither Time management, not social skills to deal with conflicts and so on. Some people don't even know that they are missing this kind of skill set. Be honest to yourself and get at least a basic set. It is difficult to teach suc things for yourself and some techniques won't work, but others will (I manage my projects in another way than my workmates do).
[Sources are welcome, because this field is huge. I will just describe stuff I know/recommened/warn about ...]
Other Topics that aren't mentioned yet
Maybe I will add/change some stuff from time to time...
Anything you are missing? Put it in the comments and if I know it (or enough other) I will add it on the list as well.
Something wrong? Please let me notice so I can change that!
You don't even know how to survive Engineering? You may check out this regular post from me.
submitted by Forschkeeper to EngineeringStudents [link] [comments]

Question to the admins

Hi Admins,
Hope this is the correct way of contacting you, otherwise let me know and I'll remove the post.
I've got a question on the sidebar of this community. Seems that there are a bunch of online webshops listed. Would it be possible to add on in Europe? Located in the Netherlands to be precise. It's the shop I buy all my Transformers from, really a nice huy, good in handeling issues if there ever are any. The link is https://www.tf-robots.nl or https://www.tf-robots.nl/en_GB/
Hope this is appropriate.
Warm regards,
APrimeProblem
submitted by aprimeproblem to transformers [link] [comments]

A Cinematic Guide to The Weeknd: Pt 1. Trilogy and Kiss Land

A Cinematic Guide to The Weeknd: Pt 1. Trilogy and Kiss Land
Not since Jackson has there been a pop star who was so influenced by film. Without cinema, there is no The Weeknd. I decided to write this after reading his CR interview where he namedrops Der Fan, a pretty serious cinephile cut and one of my favorite films ever. In this series of posts I will attempt to chronicle the major cinematic influences on each album. While I’ve seen some other articles cover similar ground, I haven't really seen it covered in the depth it deserves. However, thats not to say this will be any more complete. I honestly didn’t even go that deep. This is by no means exhaustive, I’m not The Weeknd, I haven’t seen every movie in the world, and even amongst movies I’ve seen, my recall is different from others. Much of this comes from some light research, a familiarity with his catalog, but mostly from my own film watching. At the end of the day, like everyone else, I don’t really know anything.
All that being said, I hope you all enjoy this. I will be posting two more parts covering Beauty Behind The Madness + Starboy, and My Dear Melancholy + After Hours.
EDIT: Pt.2 here

Trilogy

Stalker
Visually referenced in the Knowing video, and titularly referenced in the Zone, Andrei Tarkovsky’s Stalker is considered by most to be one of the greatest movies ever made. Stalker follows two philosophers (identified as The Writer and The Professor) as they enlist a guide known only as the Stalker to help them traverse a restricted area called the Zone, which is said to hold a room that grants wishes. It can almost be considered a road movie, with much of the film being the party waxing philosophical as they traverse a hypnotic, Chrenobyl-esque landscape. One of the films main themes is that of desire and wish fulfillment, and the disillusionment that comes with it, a theme that echoes throughout Trilogy. On an aesthetic level, the film, which starts out sepia toned and burst into color when the trio enters the Zone, explores the idea of escapism of the mundane and into cerebral, psychedelic dream worlds, another idea that is present in Trilogy.
https://preview.redd.it/2k9nvzww8oo51.png?width=994&format=png&auto=webp&s=f3fb0abf367cfe72bcd024d5a483a31e46bf8876
David Lynch
On the note of escapism and other worlds, perhaps one of the most foundational influences on Trilogy and The Weeknd overall is the cinema of David Lynch. Lynch’s films are noir leaning phantasmagorical trips full of gangsters, ghosts, and movie stars. The video for the Zone contains a number of possible references to Lynch, such as the eyes appearing over the speeding of the lonely road as a reference to the opening of Lost Highway, and perhaps the road scene in Wild at Heart, and the Thursday Girl in the balloon world also bears some resemblance to The Red Room in Twin Peaks. He’s also name dropped Eraserhead a number of times, but the overall impact of Lynch on his music can’t be counted in just blatant aesthetic references. One film of Lynch’s that somewhat parallels Stalker is Mulholland Drive, a horror noir murder mystery (many call the film unclassifiable). Like Stalker, Mulholland Drive sees a party of foils (in this case, a fresh ingenue and a jaded actress) investigate a case of mistaken identity and get drawn into the dark dream world of Hollywood (more on this later). While Mulholland Drive isn’t directly referenced at any point in Trilogy, The Weeknd’s debt to Lynch is more the appropriation of themes, feelings and moods of Lynch’s overall work into the world of The Weekend. But of all the references to his work, it must be noted that Wild at Heart, Lynch’s love on the run movie starring Nicholas Cage, prominently featured Chris Isaak’s Wicked Game, and was largely responsible for it becoming a hit in the early 90s.
https://preview.redd.it/cht3tf699oo51.png?width=786&format=png&auto=webp&s=1576f232f57888c173fe115803b44baf5bb6e8ba
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Vampires
When describing The Weeknd, many critics evoke towards vampire imagery (one review described him as “Transylvanian”), with good reason. Besides the Nosferatu imagery in the Wicked Games video, he’s also expressed a strong affinity for Gary Oldman’s performance in Bram Stroker’s Dracula. From what is known about his background, living with a group of other young runaways it’s likely films like The Lost Boys and Near Dark (more on this later), which revolve around gangs of young vampires, was an influence on him as well, especially in parallel to darker tracks like Initiation (A Clockwork Orange likely falls in here as well, more on Kubrick below). One of the most interesting ways this is expressed is in XO/The Host, which samples George Frederic Handel’s Sarabande, a metre in dance that was in fact banned in 1583 for “exciting bad emotions.”
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Stanley Kubrick
Sarabande was also the recurring theme used in Kubrick’s Barry Lyndon, Kubrick being another formative overall influence like Lynch, as opposed to simply Trilogy. Kubrick’s ideas and imagery are present throughout his career (Visual references to Eyes Wide Shut in the Secrets and Twenty Eight videos, A Clockwork Orange references in Price on My Head, a general appreciation for the Shining etc.). Like Lynch, Kubrick love his psychedelic dream worlds, however, he is less focused on escapism and instead presents our current world as inherently absurd and psychedelic in itself, and people left to their own devices will reflect that experience. For example, like Lynch’s Blue Velvet, Kubrick’s Eyes Wide Shut posits that a gilded sexual underworld truly holds the keys to society, and that the sheen of civility is but a thin veneer. However, [Spoiler Alert] Blue Velvet ends with the police getting Dennis Hopper’s iconic villain Frank and the couple that caught him living happily ever after. However Eyes Wide Shut ends with Tom Cruise’s Bill being bullied out of his investigation into the murder of a hooker by a mysterious masked cabal. When he spills out to his wife, she says that all that they do about it is go home and fuck. So while Lynch isn’t exactly an optimist, his works still exist within his own controlled continuum and plane. Kubrick on the other hand, applies his vision to our own world, and presents us with his own theories on our past, present, and history.
https://preview.redd.it/h8kbi2bh9oo51.png?width=998&format=png&auto=webp&s=41a3279564abb6df96de5267842b5c5ec1d4ec00
Loosies/speculation
While I hesitate to delve too deep into the simple name drops (Nightmare on Elm St on Glass Table Girls, The Birds, etc.) on Loft Music, I believe he namechecks The Third Man, Carol Reeds seminal noir film of mistaken identity. This is a pretty interesting reference, as The Third Man is considered one of the Great Films by many, and is actually what first made me think he was a cinephile all the way back in the day. I don’t even know if he’s actually referencing it but I don’t think it would be out of his wheelhouse. For a 19 year old to be able to not just reference but understand and be able to integrate Stalker as tastefully as he did is already a pretty precocious accomplishment. In the Twenty Eight video, much has been made about the stacked televisions and the interview (Videodrome) and the fake street (Eyes Wide Shut). However the scene where he’s watching the girls dance in the movie theater, and the ghost girl in the hotel room is very similar to John Carpenter’s Cigarette Burns, an old Masters of Horror episode starring Norman Reedus as a theater owner who tries to track down a film that’ll make whoever watches it go insane. He’s spoken before about the Machinist, another film about the divide between dreamworlds and reality, rooted in traumatic experience (it should be noted that the aforementioned Mulholland Drive is rooted in a car crash in which one of the leads experiences amnesia, very similar to the Machinist).
https://preview.redd.it/jry2fnnj9oo51.png?width=1486&format=png&auto=webp&s=3b4dcec322486d8395f29288346ef0db74a0e8cb
https://preview.redd.it/9nk21jnj9oo51.png?width=1496&format=png&auto=webp&s=bd85d0a68062a75a63c4db7177f0d24fcedc2afa

Kiss Land

Blade RunneThe Matrix
One of the cornerstone films of Kiss Land is Blade Runner, with the Kiss Land world being strongly inspired by Blade Runner’s Los Angeles, November 2019, most notably with the metropolitan Asian influence, the neon signs and the futuristic skyscrapers, as well the film’s Vangelis score (which opened the Kiss Land Memento Mori episode). Most blatantly, there’s Tears in the Rain, a reference to Rutger Hauer’s classic ending monologue which was actually improvised. The parallels to Kiss Land and Blade Runner run deep on a conceptual level. Many go in to Blade Runner expecting a sort of sci-fi adventure film (what Blade Runner 2049 turned out to be), when it is in fact a futuristic neo-noir mood piece. Like Kiss Land, it isn’t so much about the story, but about the scenes, the textures, the world it built and inhabited. To truly feel the Blade Runner influence, check Not Used To (The Town Demo), which is available on google drive somewhere on this sub. Another important film to is rather obvious visually, The Matrix. The sci-fi adventure classic, beside serving as a strong aesthetic standpoint, particularly influenced Kiss Land’s sonic palette of industrial music, noise, and contemporary rock, from the likes of Linkin Park, Rob Zombie and Marilyn Manson, not to mention the cave rave from the second movie, had a strong influence on the sound of Kiss Land, most strinkingly the cold, aggressive drums on songs like Adaptation and Love in The Sky.
https://preview.redd.it/k8cf531o9oo51.png?width=998&format=png&auto=webp&s=e9608df1f08a4fd597b7897bb7f299c67cdae160
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Only God Forgives/Black Rain/Enter The Void/New Rose Hotel
Blade Runner isn’t the only Ridley Scott film he pulled from (There’s something to be said about Alien’s haunting Jerry Goldsmith score and it’s use of the icky greens and steely blues), as the Kiss Land concept and storyline was also heavily influenced by Scott’s Black Rain. Black Rain stars Michael Douglas and Andy Garcia as two New York City cops who must escort a Yakuza hitman to Tokyo. While not one of Scott’s more famous works, it is a cult classic in certain circles, primarily the vaporware scene, for it’s evocative cinematography, metropolitan portrayal of Tokyo, and Hans Zimmer’s Black Rain Suite. The idea of foreigners lost in the East, a major element in Kiss Land, is also reflected in Nicolas Winding Refn’s Only God Forgives. While Black Rain is a slick, Hollywood production, Only God Forgives is a down and dirty indie. After his huge success with Drive (more on this film later), Winding Refn was interested in doing something less commercial, and put together Only God Forgives in Thailand with a far lower budget than Drive. While Cliff Martinez’s score features the cinematic symphonies so common in the Kiss Land films, one notable motif is his use of huge organs, similar of which can be seen on Kiss Land (the song). But the pinnacle of the foreigner lost abroad set of films is the infamous Enter the Void, Gaspar Noe’s the neon soaked odyssey through Tokyo. Besides the thematic and visual influence, like the Matrix, Enter the Void had a strong influence on the sonic palette, with Daft Punk’s Thomas Bangalter providing sound effects, most famously for the film’s iconic title sequence (More on both Noe and Bangalter later). In addition to Bangalter’s sound collage and ambient noises, Noe also employs a few cinematic Bach pieces to ease the tension. This grit is also explored in Abel Ferrara's New Rose Hotel (more later), another film Japan set cyberpunk tale of foreigners and mischief abroad.
https://preview.redd.it/juzzw1ggaoo51.png?width=736&format=png&auto=webp&s=f1e32646a9208ad7d647bb57eb31d7ab79bd4c19
John Carpenter
With the setting and city playing such a large role, a filmmaker who exemplifies this is John Carpenter, who’s best work makes strong use of location as a character. While he frequently diverges, he particularly enjoys sprawling urban metropolises, best seen in films like Escape From New York, Escape from LA (yup), and They Live (more on this film later), all of which he also composed the soundtrack to, most famously Escape from New York’s iconic intro theme, which was also a likely influence on Kiss Land. While there is likely some mood taken from The Fog, another Carpenter film that influenced Kiss Land was The Thing. He has specifically name dropped this in interviews, and while this isn’t as face obvious as the others, it features a massive, iconic Ennio Morricone soundtrack that mirror Kiss Land’s paranoid blockbuster ambitions.
https://preview.redd.it/dee39ediaoo51.png?width=996&format=png&auto=webp&s=f954dd43f491f4071af33bfc452f23e22d16fa45
Early David Cronenberg
While much has already been made about Kiss Land’s sci-fi influence, David Cronenberg’s horror influence can be felt throughout. He is known as the king of body horror, most impressively seen in films like the Fly, Naked Lunch, and of course, Videodrome , however, most relevant to Kiss Land and possibly The Weeknd overall is his portrayal of sexual deviance. While Ridley Scott and John Carpenter had been anticipating a career in filmmaking for a very long time, Cronenberg’s initial interests were the sciences and academia, particularly botany and lepidopterology (the study of butterflies). As such, his films have a colder, psychological edge but retain an air of elegance and sophistication. As opposed to Lynch’s exploration into the deviance in the underbelly, Cronenberg explores similar deviances amongst the upper class. He enjoys mad scientists and dark lords, his protagonists usually being surgeons, psychologists, ambassadors, etc. This can be seen in Dead Ringers, where Jeremy Iron’s twin surgeons pretend to be one and date the same woman. The film is a deft mix of drama, horror and sci-fi, with the twins surgery “tools” and outfits, as well as an darkly comedic exploration of sexuality. Videodrome, a well known favorite of The Weeknd, also touches on these ideas of sexual deviances, with James Wood’s Max being a purveyor of smut and engaging in all sorts of bloody and bodily sex to the point that it begins to melt his brain. In a sort of meta twist Cronenberg, even seems to parody his own ideas of sexual deviance with the play scene at the beginning of the Brood, which may have been an inspiration on the body show in the Belong to The World video.
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Corporate Faculty
On the topic of Videodrome, besides it’s body horror, another interesting aspect of the film is it’s portrayal of corporate faculty. When making Trilogy, The Weeked regularly mentions how much time he had as there were no label obligations. With Kiss Land however, he had set up the XO imprint on Republic Records, and was now answerable to corporate powers. Videodrome’s plot revolves around Max, a tv programmer who acquires a menacing tv show called Videodrome that seems to depict graphic torture and killing. As he continues on, he begins to encounter hallucinations and uncovers a conspiracy that stretches across multiple civic organizations. Smuggled inside a body horror scifi film is a powerful commentary on corporate rationale and reasoning, as well as prescient, forward thinking ideas of mass media and its effect on people. This idea of sinister corporations pops up in a number of films, it can be seen in Blade Runner with the Tyrell corporation, and to an extent the robots of the Matrix harvesting people for energy, however most cutely, the Oxcy Cat logo resembles the logo of Shreck’s the corporation from Batman Returns, another film involving corporate conspiracies and sexual politics. Additionally, there is Abel Ferrara's New Rose Hotel, which I believe to be one of the key Kiss Land films. The film stars Christopher Walken and Willem Dafoe as two corporate raiders attempting to convince a Japanes scientist to transfer companies by getting him involved with an Italian stripper played by Asia Argento daughter of the legendary Dario. New Rose Hotel I believe is the quintessential key to Kiss Land, the unofficial video for Kiss Land is almost something of a stealth remake of the film.
https://preview.redd.it/6aoi13udboo51.png?width=990&format=png&auto=webp&s=c8e2c01809ef1eb2582d9c932b08eb21e903ebc1
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J Horrosci-fi
For a work “set” in Asia, there’s a conspicuous lack of Asian films mentioned here. Not to say Asian works are not referenced, but I do think that the larger influences are films made in Asia by Westerners. The Asian works I believe mostly provide aesthetic, notably the animated films Ghost in a Shell, Casshern, and Akira for their depictions of sci-fi metropolises, and the Grudge for the Belong to the World body show. From a thematic standpoint, there is Audition, the definitive J horror film, which revolves around a woman with a mysterious past and Cronenberg-esque sexual deception and body horror, and of which The Weeknd is a known fan. Slightly more obscure and more speculatory however, is the work of Shinya Tsukamoto. While he is best known for his classic Tetsuo: The Iron Man, a body horror classic, I believe his film A Snake In June may have been a strong influence on Kiss Land. A Snake of June is about a woman having an affair is blackmailed into sexual games over the phone. Shot in a icy blue tinted grayscale, as with many of the Kiss Land works the city plays as much of a part in the film as the characters. Again, this is pure speculation, on one hand I find it hard to believe that this film never came up in his research, but at the same time I myself didn’t discover this film till a little later into my film watching, so I can believe it may have slipped through the cracks.
https://preview.redd.it/vh0lpe1lboo51.png?width=1000&format=png&auto=webp&s=edda922ff2770eb109fa08774eeedea84c99f81c
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submitted by eve_salmon to TheWeeknd [link] [comments]

Help Debugging using TD3, overwhelming warning/error outputs

Summary: I am attempting to implement RL using soft robotic hardware, skipping the modeling and simulation for various reasons. I have a pneumatic syringe hooked into a Gcode interpreter (hence the x/y notation through my code. I am using ROS as a messaging middle ware between my components.
I have tried to implement some TD3 functionality to get my robot to learn to just move away from its starting point. I will start up (with tons of output), run one "step()" from my custom Gym environment, and then spit out an error that I understand at face value, but am having a lot of trouble tracking down.
I have tested my entire system and It seems I have all functionality correct outside of implementing the RL tidbits. I can control the robot, read its sensors/state, and have a ground truth system giving feedback on the robot position for reward calculation. All of this data is being piped corretly into my script and stored in global variables to be used in different scopes throughout my gym and RL environment.
My background is mechanical/electrical engineering. I am new to RL as well as software development on the whole. It looks like this all has a lot to do with the libraries, and I am scared to go and change anything in fear of breaking the whole library or something like that.
I am unclear where to even start looking for all of these feedbacks, warnings, and errors. any guidance would be much appreciated.
Please critique my post and help me present my issue better if it is not up to par with this sub's standards.

==========My RL script==========
#!/usbin/env python3 #you need this above to get ROS to execute the script - points to the python executable #use python 3 here due to the RL libraries being written in python 3 from gym import spaces import gym import numpy as np import time import random from math import sqrt # from stable_baselines.td3.policies import MlpPolicy as Td3MlpPolicy # # from stable_baselines import TD3 # from stable_baselines.ddpg.noise import OrnsteinUhlenbeckActionNoise # from stable_baselines.common.vec_env import DummyVecEnv #import necessary stable baselines TD3 libraries for learning purposes from stable_baselines import TD3 from stable_baselines.td3.policies import MlpPolicy as Td3MlpPolicy from stable_baselines.ddpg.noise import OrnsteinUhlenbeckActionNoise from stable_baselines.common.vec_env import DummyVecEnv #import ROS specific libraries and custom message types import rospy from std_msgs.msg import String from std_msgs.msg import Bool from std_msgs.msg import Empty from soft_robot_learning.msg import sensor_processing from soft_robot_learning.msg import gcode_packager from soft_robot_learning.msg import apriltag_data #global variables testString = "" xCommand = 0. yCommand = 0. xState = 0. yState = 0. xPosition = 0. yPosition = 0. xZero = 0. #zero values for each episode yZero = 0. action_done = False #define constants NUM_STEPS = 10 TIME_PER_STEP = 1 #this could be variable depending on hardware # define ROS publisher nodes cmd_pub = rospy.Publisher('/actuator_commands', gcode_packager, queue_size = 30) direct_cmd_publisher = rospy.Publisher('/grbl_commands', String, queue_size = 30) grbl_reset_pub = rospy.Publisher('/system_cmd', Empty, queue_size=1) #test pub to update the subscribed node. for testing testpub = rospy.Publisher('/testData', String, queue_size = 20) #define ROS subscriber callback methods def robot_state_callback(data): #print("Updating State") global xState global yState xState = data.xSensor yState = data.ySensor #print("x sensor: {}", format(xState)) #print("y sensor: {}", format(yState)) def gnd_truth_callback(data): #print("updating Ground Truth Data") global xPosition, yPosition xPosition = data.x_pos_gnd yPosition = data.y_pos_gnd #print("x position: {}", format(xPosition)) #print("y position: {}", format(yPosition)) def action_done_callback(data): global action_done action_done = data.data def testData_callback(data): #print("test data recieved") global testString testString = data.data + '\n' #Define ROS subscriber nodes def RL_subscribers(): rospy.init_node('soft_robot_learning', anonymous=True) rospy.Subscriber("/robot_state", sensor_processing, robot_state_callback) rospy.Subscriber("/gnd_pos_truth", apriltag_data, gnd_truth_callback) rospy.Subscriber("/action_done", Bool, action_done_callback) rospy.Subscriber("/testData", String, testData_callback) # skipping spin to see if the subscriber works without spinnign whle the thin is running #rospy.spin() def distanceFromOrigin(x,y,xZero,yZero): xDist = x - xZero yDist = y - yZero total_distance = sqrt(xDist*xDist+yDist*yDist) return total_distance, xDist, yDist def wait_for_action(): global action_done count = 0 while not action_done: count = count + 1 #print(action_done) print("Action Complete...") time.sleep(1) def homeGrblController(): print("Homing System....") direct_cmd_publisher.publish('$H') wait_for_action() direct_cmd_publisher.publish('G92 X0 Y0') print("Homing Complete") def initGrblController(): print("Initializing Grbl System...") direct_cmd_publisher.publish('$X') homeGrblController() def resetGrblController(): print("Resetting grbl controller...") msg = Empty() grbl_reset_pub.publish(msg) time.sleep(4) #wait for reset to take plae initGrblController() print("grbl controller reset!") def homeRobot(): print("Sending Robot Home") direct_cmd_publisher.publish('G0 X0 Y0') wait_for_action() print("Robot Home") class soft_learner(): def __init__(self): #init position variables self.testS = "" #test string for testing data passing self.x = 0 self.y = 0 #init steps and dt (time per step) self.n_steps = 0 self.dt = TIME_PER_STEP #1=1second - play with this variable #initialize proper spaces and metadata #both the action and state space are bounded by 0-100 for %of actuation #mapping these to real world actiona dnnand sensors are handeled in another script self.observation_space = spaces.Box(low=np.array([0.,0.]), high=np.array([100.,100.])) #obs space = continuous, self.action_space = spaces.Box(low=np.array([0.,0.]), high=np.array([100.,100.])) self.metadata = 0 #send initial commands to grbl (home, set 0 all that) def reset(self): global xZero, yZero, xPosition, yPosition self.x = 0 self.y = 0 self.n_steps = 0 #re calibrate and set x and y zero values for each new run for april tags data xZero = xPosition yZero = yPosition #reset grbl controller resetGrblController() #run calibration function here return self.x, self.y def step(self, generated_cmd_array): global xCommand, yCommand, xPosition, yPosition, xZero, yZero, xState, yState # print(generated_cmd_array) xCommand = generated_cmd_array[0] yCommand = generated_cmd_array[1] #generate an action # xCommand = random.randint(0,100) # yCommand = random.randint(0,100) print("command generated x {} y {}", format(xCommand), format(yCommand)) #v = np.clip(v, self.action_space.low, self.action_space.high) #above line in example not sure why it is used #publish action cmd_message = gcode_packager() cmd_message.x_percentage = xCommand cmd_message.y_percentage = yCommand cmd_pub.publish(cmd_message) #wait for hardware to complete action wait_for_action() #subscribe/read state state = {'x': xState, 'y': yState} print("xState: {}", format(xState)) print("yState: {}", format(yState)) #compute reward reward, x_calibrated, y_calibrated = distanceFromOrigin(xPosition,yPosition, xZero,yZero) #print("x position: {}", format(xPosition)) #print("y position: {}", format(yPosition)) print("x calibrated: {}", format(x_calibrated)) print("y calibrated: {}", format(y_calibrated)) print("reward: {}", format(reward)) #increment and finish step self.n_steps += 1 done = self.n_steps > NUM_STEPS return state, reward, done, {} if __name__ == '__main__': #run suscriber nodes RL_subscribers() print("Starting...") time.sleep(3) #give ros time to set up #init environmnet env = soft_learner() env.reset() #run and testing a_dim = env.action_space.shape[0] td3_noise = OrnsteinUhlenbeckActionNoise(np.zeros(a_dim), 0.003*np.ones(a_dim)) td3_env = DummyVecEnv([lambda: env]) td3_model = TD3(Td3MlpPolicy, td3_env, verbose=0, action_noise=td3_noise, tensorboard_log='~/tensorboard') td3_model.learn(total_timesteps=100) td3_model.save("~/td3_model") print('Complete training TD3') x = td3_env.reset() # for i in range(100): # x, r, _, _ = td3_env.step(td3_model.predict(x)) # print(x) # print(r) # #rospy.spin() # print("running sensor mount testing") # count = 1 # cmd_message = gcode_packager() # while True: # cmd_message.x_percentage = 95 # cmd_message.y_percentage = 0 # cmd_pub.publish(cmd_message) # wait_for_action() # print("fully inflated...") # cmd_message.x_percentage = 0 # cmd_message.y_percentage = 0 # cmd_pub.publish(cmd_message) # wait_for_action() # print("Not inflated...") # count =count+1 # print (count) # if (count%10 == 0): # resetGrblController() # #for i in range(10): # # time.sleep(1) # # env.step() 

===========Terminal Feedback==============
earning/src$ rosrun soft_robot_learning learning.py P-Pavilion-Gaming-Laptop-15-cx0xxx:~/rl/home/robertslab/.local/lib/python3.6/site-packages/tensorflow/python/framework/dtypes.py:516: FutureWarning: Passing (type, 1) or '1type' as a synonym of type is deprecated; in a future version of numpy, it will be understood as (type, (1,)) / '(1,)type'. _np_qint8 = np.dtype([("qint8", np.int8, 1)]) /home/robertslab/.local/lib/python3.6/site-packages/tensorflow/python/framework/dtypes.py:517: FutureWarning: Passing (type, 1) or '1type' as a synonym of type is deprecated; in a future version of numpy, it will be understood as (type, (1,)) / '(1,)type'. _np_quint8 = np.dtype([("quint8", np.uint8, 1)]) /home/robertslab/.local/lib/python3.6/site-packages/tensorflow/python/framework/dtypes.py:518: FutureWarning: Passing (type, 1) or '1type' as a synonym of type is deprecated; in a future version of numpy, it will be understood as (type, (1,)) / '(1,)type'. _np_qint16 = np.dtype([("qint16", np.int16, 1)]) /home/robertslab/.local/lib/python3.6/site-packages/tensorflow/python/framework/dtypes.py:519: FutureWarning: Passing (type, 1) or '1type' as a synonym of type is deprecated; in a future version of numpy, it will be understood as (type, (1,)) / '(1,)type'. _np_quint16 = np.dtype([("quint16", np.uint16, 1)]) /home/robertslab/.local/lib/python3.6/site-packages/tensorflow/python/framework/dtypes.py:520: FutureWarning: Passing (type, 1) or '1type' as a synonym of type is deprecated; in a future version of numpy, it will be understood as (type, (1,)) / '(1,)type'. _np_qint32 = np.dtype([("qint32", np.int32, 1)]) /home/robertslab/.local/lib/python3.6/site-packages/tensorflow/python/framework/dtypes.py:525: FutureWarning: Passing (type, 1) or '1type' as a synonym of type is deprecated; in a future version of numpy, it will be understood as (type, (1,)) / '(1,)type'. np_resource = np.dtype([("resource", np.ubyte, 1)]) /home/robertslab/.local/lib/python3.6/site-packages/tensorboard/compat/tensorflow_stub/dtypes.py:541: FutureWarning: Passing (type, 1) or '1type' as a synonym of type is deprecated; in a future version of numpy, it will be understood as (type, (1,)) / '(1,)type'. _np_qint8 = np.dtype([("qint8", np.int8, 1)]) /home/robertslab/.local/lib/python3.6/site-packages/tensorboard/compat/tensorflow_stub/dtypes.py:542: FutureWarning: Passing (type, 1) or '1type' as a synonym of type is deprecated; in a future version of numpy, it will be understood as (type, (1,)) / '(1,)type'. _np_quint8 = np.dtype([("quint8", np.uint8, 1)]) /home/robertslab/.local/lib/python3.6/site-packages/tensorboard/compat/tensorflow_stub/dtypes.py:543: FutureWarning: Passing (type, 1) or '1type' as a synonym of type is deprecated; in a future version of numpy, it will be understood as (type, (1,)) / '(1,)type'. _np_qint16 = np.dtype([("qint16", np.int16, 1)]) /home/robertslab/.local/lib/python3.6/site-packages/tensorboard/compat/tensorflow_stub/dtypes.py:544: FutureWarning: Passing (type, 1) or '1type' as a synonym of type is deprecated; in a future version of numpy, it will be understood as (type, (1,)) / '(1,)type'. _np_quint16 = np.dtype([("quint16", np.uint16, 1)]) /home/robertslab/.local/lib/python3.6/site-packages/tensorboard/compat/tensorflow_stub/dtypes.py:545: FutureWarning: Passing (type, 1) or '1type' as a synonym of type is deprecated; in a future version of numpy, it will be understood as (type, (1,)) / '(1,)type'. _np_qint32 = np.dtype([("qint32", np.int32, 1)]) /home/robertslab/.local/lib/python3.6/site-packages/tensorboard/compat/tensorflow_stub/dtypes.py:550: FutureWarning: Passing (type, 1) or '1type' as a synonym of type is deprecated; in a future version of numpy, it will be understood as (type, (1,)) / '(1,)type'. np_resource = np.dtype([("resource", np.ubyte, 1)]) Starting... /home/robertslab/.local/lib/python3.6/site-packages/gym/logger.py:30: UserWarning: WARN: Box bound precision lowered by casting to float32 warnings.warn(colorize('%s: %s'%('WARN', msg % args), 'yellow')) Resetting grbl controller... Initializing Grbl System... Homing System.... Action Complete... Homing Complete grbl controller reset! WARNING:tensorflow:From /home/robertslab/.local/lib/python3.6/site-packages/stable_baselines/common/tf_util.py:191: The name tf.ConfigProto is deprecated. Please use tf.compat.v1.ConfigProto instead. WARNING:tensorflow:From /home/robertslab/.local/lib/python3.6/site-packages/stable_baselines/common/tf_util.py:200: The name tf.Session is deprecated. Please use tf.compat.v1.Session instead. WARNING:tensorflow:From /home/robertslab/.local/lib/python3.6/site-packages/stable_baselines/td3/td3.py:132: The name tf.variable_scope is deprecated. Please use tf.compat.v1.variable_scope instead. WARNING:tensorflow:From /home/robertslab/.local/lib/python3.6/site-packages/stable_baselines/common/input.py:25: The name tf.placeholder is deprecated. Please use tf.compat.v1.placeholder instead. WARNING:tensorflow:From /home/robertslab/.local/lib/python3.6/site-packages/stable_baselines/td3/policies.py:125: flatten (from tensorflow.python.layers.core) is deprecated and will be removed in a future version. Instructions for updating: Use keras.layers.flatten instead. WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AttributeError: module 'gast' has no attribute 'Num' WARNING:tensorflow:From /home/robertslab/.local/lib/python3.6/site-packages/stable_baselines/common/tf_layers.py:57: dense (from tensorflow.python.layers.core) is deprecated and will be removed in a future version. Instructions for updating: Use keras.layers.dense instead. WARNING:tensorflow:From /home/robertslab/.local/lib/python3.6/site-packages/tensorflow/python/ops/init_ops.py:1251: calling VarianceScaling.__init__ (from tensorflow.python.ops.init_ops) with dtype is deprecated and will be removed in a future version. Instructions for updating: Call initializer instance with the dtype argument instead of passing it to the constructor WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AssertionError: Bad argument number for Name: 3, expecting 4 WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AssertionError: Bad argument number for Name: 3, expecting 4 WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AssertionError: Bad argument number for Name: 3, expecting 4 WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AttributeError: module 'gast' has no attribute 'Num' WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AssertionError: Bad argument number for Name: 3, expecting 4 WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AssertionError: Bad argument number for Name: 3, expecting 4 WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AssertionError: Bad argument number for Name: 3, expecting 4 WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AssertionError: Bad argument number for Name: 3, expecting 4 WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AssertionError: Bad argument number for Name: 3, expecting 4 WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AssertionError: Bad argument number for Name: 3, expecting 4 WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AttributeError: module 'gast' has no attribute 'Num' WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AssertionError: Bad argument number for Name: 3, expecting 4 WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AssertionError: Bad argument number for Name: 3, expecting 4 WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AssertionError: Bad argument number for Name: 3, expecting 4 WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AssertionError: Bad argument number for Name: 3, expecting 4 WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AssertionError: Bad argument number for Name: 3, expecting 4 WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AssertionError: Bad argument number for Name: 3, expecting 4 WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AttributeError: module 'gast' has no attribute 'Num' WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AssertionError: Bad argument number for Name: 3, expecting 4 WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AssertionError: Bad argument number for Name: 3, expecting 4 WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AssertionError: Bad argument number for Name: 3, expecting 4 WARNING:tensorflow:From /home/robertslab/.local/lib/python3.6/site-packages/stable_baselines/td3/td3.py:165: The name tf.random_normal is deprecated. Please use tf.random.normal instead. WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AttributeError: module 'gast' has no attribute 'Num' WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AssertionError: Bad argument number for Name: 3, expecting 4 WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AssertionError: Bad argument number for Name: 3, expecting 4 WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AssertionError: Bad argument number for Name: 3, expecting 4 WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AssertionError: Bad argument number for Name: 3, expecting 4 WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AssertionError: Bad argument number for Name: 3, expecting 4 WARNING:tensorflow:Entity > could not be transformed and will be executed as-is. Please report this to the AutgoGraph team. When filing the bug, set the verbosity to 10 (on Linux, `export AUTOGRAPH_VERBOSITY=10`) and attach the full output. Cause: converting >: AssertionError: Bad argument number for Name: 3, expecting 4 WARNING:tensorflow:From /home/robertslab/.local/lib/python3.6/site-packages/stable_baselines/td3/td3.py:195: The name tf.train.AdamOptimizer is deprecated. Please use tf.compat.v1.train.AdamOptimizer instead. WARNING:tensorflow:From /home/robertslab/.local/lib/python3.6/site-packages/tensorflow/python/ops/math_grad.py:1205: add_dispatch_support..wrapper (from tensorflow.python.ops.array_ops) is deprecated and will be removed in a future version. Instructions for updating: Use tf.where in 2.0, which has the same broadcast rule as np.where WARNING:tensorflow:From /home/robertslab/.local/lib/python3.6/site-packages/stable_baselines/td3/td3.py:227: The name tf.summary.scalar is deprecated. Please use tf.compat.v1.summary.scalar instead. WARNING:tensorflow:From /home/robertslab/.local/lib/python3.6/site-packages/stable_baselines/td3/td3.py:241: The name tf.summary.merge_all is deprecated. Please use tf.compat.v1.summary.merge_all instead. WARNING:tensorflow:From /home/robertslab/.local/lib/python3.6/site-packages/stable_baselines/common/base_class.py:1143: The name tf.summary.FileWriter is deprecated. Please use tf.compat.v1.summary.FileWriter instead. Resetting grbl controller... Initializing Grbl System... Homing System.... Action Complete... Homing Complete grbl controller reset! command generated x {} y {} 58.89289093017578 14.919524192810059 Action Complete... xState: {} 0.0 yState: {} 0.0 x calibrated: {} -0.00041447579860687256 y calibrated: {} -0.0005988478660583496 reward: {} 0.0007282918057437168 Traceback (most recent call last): File "/home/robertslab/rl_workspace_0/src/soft_robot_learning/src/learning.py", line 244, in  td3_model.learn(total_timesteps=100) File "/home/robertslab/.local/lib/python3.6/site-packages/stable_baselines/td3/td3.py", line 331, in learn new_obs, reward, done, info = self.env.step(unscaled_action) File "/home/robertslab/.local/lib/python3.6/site-packages/stable_baselines/common/vec_env/base_vec_env.py", line 150, in step return self.step_wait() File "/home/robertslab/.local/lib/python3.6/site-packages/stable_baselines/common/base_class.py", line 1084, in step_wait obs, rewards, dones, information = self.venv.step_wait() File "/home/robertslab/.local/lib/python3.6/site-packages/stable_baselines/common/vec_env/dummy_vec_env.py", line 47, in step_wait self._save_obs(env_idx, obs) File "/home/robertslab/.local/lib/python3.6/site-packages/stable_baselines/common/vec_env/dummy_vec_env.py", line 90, in _save_obs self.buf_obs[key][env_idx] = obs TypeError: float() argument must be a string or a number, not 'dict' 
submitted by csullivan107 to reinforcementlearning [link] [comments]

Make more dialogue like devil’s ruin quest’s

Idea: All new strikes (and most filler missions) get multiple Handelers and they do, what I call, “personality banter” at each other the whole time. It’s like regular banter, but it doesn’t need to be funny, it just needs to show their personality. Boom. 100% improved product.
(Edited that part to be more clear in my wording, also cause a good point was made.)
Right now the roster of NPC’s consists of
Serious and important dialogue about THE VEX
Serious and important dialogue about THE HIVE
Serious and important dialogue about THE TAKEN
Serious and important dialogue about THE WAR
Serious and important dialogue about THE CRUCIBLE
Serious and important dialogue about THE BLACK ARMORY
Serious and important dialogue about CLANS
Saint 14
And the Drifter.
What was that? I listed the same thing over and over like a robot? SO DO THE NPCS! I don’t even mean repeating voice lines, I mean they repeat voice LINE, single. It’s so generic that if I turn off the sound i can only tell which subtitle belongs to who by its subject matter.
I want THAT fixed.
Edit2: merged edit 1 and body + grammar fixes. Thanks autocorrect!
Edit 3: People saying “it got too silly!” ...
They made 4 live action, in universe trailers for this. 4!!! And all of them had silly comedy and dad jokes. One of them was literally just guardians break dancing, and then having a Star-Lord dance off... without the missile and infinity stone. Watch all 4 and tell me again that this was never meant to be a little silly. Here are a few highlights to look for.
Titan: “Lemme give Em something to dance to.” gjallarhorn’s the door Warlock: “Now it’s a party.” “Music?” Ghost asks, un-prompted. “Something... classical.” *Plays f——Immigrant song by Led Zeppelin. *
Titan: “Venus?” Hunter: “VENUS BABY! VENUUUUS!!!”
Random Guardian: “Hi. I just wanted to show you the dragon’s breath. And this sick new sparrow. I use it to do flips!!!”
Titan: “what? Papa-bear’s a no show!” Oryx: teleports behind you Hunter: “uuuuh...” Titan: looking down and thumb pointed back over his shoulder “he’s standing right behind me... isn’t he?”
Cayde: “... and if THAT wasn’t enough- puppies... are... Booosh!” makes the sound with his mouth
Titan 2: under his breath in sheer horror “not the puppies...”
Cayde: “I know right! But any ways...” fast forward “... do it for the tower, and ramen shops. Do it for the loot they’ve taken from us, but most of all, do it-“
Titan 2: interupts Cayde holding giant f—— machine gun, screaming with a straight face and pure rage: “FOR THE PUPPIES!!!” and then charging into battle.
submitted by Coolstriker64 to DestinyTheGame [link] [comments]

New kid theory.

Okay so I've been thinking about this for some time now, and think I finally have some ground to voice it. I submit my theory....
I am splitting it up into sections. Because reasons.
Kelsi is an android like Charlie. The golden freddy we see is a twisted animatronic. And The corpse is an unfortunate homeless or missing kid.
In the Twisted ones Charlie is eaten by the suite while under the covers in the show house. Then later is spring locked. Resulting in a pool of blood. And PTSD for Jhon. Only to be seen out front of the diner the next day. Yes that thing wasn't charilie really she was in a box at her aunts house but she still survived and was otherwise unphased. Charlie was made with some robotics with a dash of love and grief. Evil charlie was made with hate for "good" Charlie. What if Kelsi was made the same way with hate by Springtrap.
As for the golden freddy. We know that all the twisted ones have illusion disks in or on them. And I am assuming at this point that this location is NOT the one where the murders took place. When a corporate entity decides on a new idea. Like the spring lock suits they distribute them to all locations. When things happened to make them unsafe they send out communication then they shove the product into the closet or trash it. Needless to say these suits were probably expensive. Now from what we know they weren't on the floor long before being decommissioned so why would it be dirty and matted and all nasty? My answer because its a twisted and takes a dirt nap daily. I think it takes the form of golden freddy to avoid suspicion. No location has two freddys or a random man wolf. So a decommissioned suit hidden away in the closet wouldn't be questioned.
As for the dead body. I honestly think he or she was just squatting there. Hence the water and cooking supplies in the kitchen. And met with a horrible fate.
My over all reasoning was that Scott is an evil genius in a way. He tells us we can fill in blanks in the games with these books. Then the first story is all about a character only in the book. Second relates heavily to the games. Third we want to relate it to the games but the descriptions don't match what we know about Cassidy. Maybe he was trolling to see how quickly we toss out everything we know for sure about who golden freddy is/was. Or if we can see past that and reach further.
Matpat says Scott doesn't do coincidence. I dont think he does obvious either.
Anyway. It was just a thought. One my social circle doesn't care enough to invest in so I bring it here. I'm a big kid so I can handel the hate that may come at me. But for anyone else who maybe thought about these things too I'd love to hear from you. Or you know read people telling me I'm a pleb and to gtfo fnaf because idk the difference between a plushtrap and a willtrap.
submitted by InspirationalTrash to GameTheorists [link] [comments]

Dear me

so ur alive still, time flies super fast ono. remember the begining of corona. it has been 4 months and it has become normal. see how fast people adapt to shitt. ok ok in this case is was a good shitt. now imagine being abused everyday, a person will accept it as normal after some months. can u imagine, how can we be so accepting. its a power we have on the inside, like its not a problem anymore but how shitt is.
im proud of the way my workplace handled everything. its like i work in a robot, shame im gonna get fire in nov. why u ask? cause im so difficult and dumb and stupid. atleast i know so its ok by me. i know whatever happens i can and will handel it. im living below my means and saving everything. even if i lose everything i can start again just like i did when i came here.
funny how im prepared to lose everything again ono, its cause im stupid. i was stupid to lose my shitt ones so whats stops me from losing them again.
one other thing, u have no wants or needs. u dont want anything ur just breathing. remember who u call airwasters? well ur pne of them. ur healty u can do whatever u want but u just want to stand still till u die. tots not ur fault when u had such a caose upbringing. i do miss writing tho, but after ur dad read one it wow just gone. how could he. i will never regret making them cry. never ever ever.
submitted by AtownRisk to u/AtownRisk [link] [comments]

Things to Do - Week of Dec 2 - 8 + Remember the r/dallas Happy Hour Meetup on Friday!

A note from your listmaker
This week only (I won’t make a habit of self-promoting) I have a small request. If you appreciate this list, I am asking you to visit the Shop Small in Dallas page on my website.
My website is not monetized in any way - no ads, no affiliate links, no pop-ups, no asks for your email, and nothing that makes your clicks worth anything except a smile from me, and perhaps some gratitude from local Dallas stores if they pick up new customers. The Other links to things to do section is (and will be going forward) located at the bottom of this post. Thank you!

Multi-Day Weekend Events

Jurassic Quest | Dec 6-8 | Fair Park | Tickets $24-36
Wassail Weekend | Dec 6-7 | Downtown Denton Square | Free
Vocal Majority - Believe: A Polar Express Christmas | Dec 5 - 8 | Eisemann Center, Richardson | Tickets start at $18

Ongoing Holiday Exhibits/Activities

Dallas Symphony Christmas Pops at the Meyerson Symphony Center Dec 6-8, 12-15
North Pole Neighborhood in Downtown Grapevine various dates until Dec 24
Prairie Lights at Lynn Creek Park, Grand Prairie until Dec 31
Christmas at The Star in Frisco Fridays and Saturdays until Dec 21
Vitruvian Lights at Vitruvian Park, Addison until Jan 1
Winter Wonderland at Frisco Fresh Market until Dec 22
Illumination Celebration at Galleria Dallas starting Nov 29 until Dec 24
Gift of Lights at Texas Motor Speedway starting Nov 29 until Jan 5
Texas Christkindl Market at Globe Life Field starting Nov 29 until Dec 22
The Ice Rink at Texas Christkindl Market at Globe Life Field starting Nov 29 until Dec 22
Deck the Hall Street at Fiction Coffee starts Nov 25 until Dec 31
Happy Holidays Pop-Up Shop at Arlington Museum of Art starts Nov 30 until Dec 22
Zoo Lights at the Dallas Zoo until January 5
Snow Day Dallas at The Plaza at Preston Center starts Nov 21 until Jan 5
Giant Gingerbread House at Ritz Carlton Dallas starts Nov 21 until Dec 19
Bark + Build Dog Houses/ Home for the Holidays at NorthPark Center starts Nov 21 until Dec 8
The Trains at NorthPark starts Nov 16 through Jan 5
Holiday at the Arboretum at the Dallas Arboretum until December 31
ICE and Lone Star Christmas at the Gaylord Texan, Grapevine until January 5
Panther Island Ice (ice skating rink) at Coyote Drive-In, Fort Worth starts Nov 22 through Jan 20

Ongoing Exhibits/Activities

Faith & Grief Memorial Arch at Klyde Warren Park until Dec 20
speechless: different by design at Dallas Museum of Art until March 2020
Psychedelic Robot at 500 Crescent Court until Dec 21
Gordon Parks Early Work at Amon Carter Museum of American Art, Fort Worth until Dec 22
Transparent Universe at the Museum of Geometric and MADI Art - starts Nov 1 until 1/26/20
Renoir: The Body, The Senses at Kimbell ARt Museum, Fort Worth until 1/26/20
Robyn O’Neil: WE, THE MASSES at The Modern, Fort Worth until 2/9/20
Dinosaurs Live! at Heard Natural Science Museum & Wildlife Sanctuary,McKinney until 2/17/20
Sheila Hicks: Secret Structures, Looming Presence at the Dallas Museum of Art until 1/12/20
El Greco, Goya, and a Taste for Spain at Meadows Museum SMU until January 2020
40 For 40: Forty Artifacts for 40 Years at Denton County Courthouse-on-the Square Museum in Denton until Apr 4, 2020
A Fortune in Oils: Sid Richardson’s Personal Collection at Sid Richardson Museum in Fort Worth until March 2020
Stories of Survival: Object. Image. Memory.at the Dallas Holocaust and Human Rights Museum (ongoing special exhibit)
Hands and Earth: Contemporary Japanese Ceramics at Crow Museum of Asian Art until January 2020
Museum of Memories interactive art exhibit at 4428 Main Street, Dallas until December 2019
Discotech at Sweet Tooth Hotel in Victory Park until December 31

Theatre

This Week Only or Ending this Week
Black on Black at Dallas Black Dance Theatre Studios Dec 6-7 only
Texas Ballet Theatre’s The Nutcracker at Winspear Opera House starting Nov 29 until Dec 8
Dear Evan Hansen at the Music Hall at Fair Park starting Nov 26 until Dec 8
The Lifespan of a Fact at Stage West Theatre starting Nov 7 until Dec 8
Ongoing
Black Nativity by Langston Hughes at Bishop Arts Theatre Center from Dec 5 until Dec 15
The Wizard of Oz Holiday Family Concert at Firehouse Theatre from Dec 5 until Dec 22
Nuncrackers a-MEN! by Uptown Players at Kalita Humphreys Theatre from Dec 6 - Dec 15
The Doggonest Christmas at Theatre Coppell starting Dec 6 until Dec 22
Cirque Holidays at Water Tower Theatre until Dec 22
Ebenezer Scrooge (38th Anniversary) at Pocket Sandwich Theater until Dec 23
A Christmas Carol by Dallas Theater Center at Wyly Theatre through Dec 29
Hooray for the Holidays at Theatre Arlington until Dec 15
Fruitcakes at Mesquite Community Theatre until Dec 15
Jack Frost at Casa Manana through Dec 23
If Scrooge Was a Brother at Jubilee Theatre, Fort Worth until Dec 22
Shouting Down at Quiet Life at Rover Dramawerks, Plano from Dec 5 to Dec 14
Noises Off at Theatre Three until Dec 22
Swimming While Drowning by Cara Mia Theater at Latino Cultural Center until Dec 15
Queen of Basel by Kitchen Dog Theater at Trinity River Arts Center,until Dec 15

Daily Things to Do

Monday, 12/2
Memphis Brass Winter Jazz at Memphis Night Club (Facebook link)
Celebration of Lights At Dallas Hall, SMU
Sensory Friendly Night at Dallas Zoo Lights
Winter Gathering of Gratitude with Promise of Peace Gardens at Sevan G&G (Facebook link)
World AIDS Day 2019 “My First Love” Luncheon at Mattito’s Oak Lawn
BNois King Band at House of Blues
DPD Listening Session w/Chief Hall at DPD Community Affairs (Facebook link)
Bradley Banning (free country music) at Troy’s at Texas Live! Arlington
Tuesday, 12/3
Today is Giving Tuesday, an international day of charitable giving,
Hip Hop Nutcracker at The Theatre at Verizon, Grand Prairie
TNT 131 Winterbeast (1992) + A TNT Country Christmas at Texas Theatre
HEYROCCO • Reality Something • N In Public at Club Dada
PJ Morton - PAUL Tour at House of Blues
Billy Law & Friends (free) at Sundown at Granada
Funniest Comic in Texas 2019 at Addison Improv
Tuesday Classics: The Magnificent Ambersons at The Magnolia, Dallas
Ernie Kovacs Centennial Retrospective at Alamo Drafthouse Cinema, Richardson
Wednesday, 12/4
Dallas Mavericks vs. Minnesota Timberwolves at American Airlines Center
John Cleese / Ernie Kovacs Award Show at Texas Theatre
It Was Fifty Years Ago Today - Tribute to The Beatles at The Theatre at Verizon, Grand Prairie
Motel Radio at Three Links
Yacht at Club Dada
Dee White at Sundown at Granada
Branagh Theatre Live: The Winter’s Tale at The Magnolia, Dallas
Today is National Cookie Day - check your news and social media sources for specials!
Thursday, 12/5
Dallas Stars vs. Winnipeg Jets at American Airlines Center
Adults Only Night at Zoo Lights, Dallas Zoo
Edward Scissorhands Screening at The Majestic
3rd annual Broadway Karaoke Night at Alamo Drafthouse Lakewood
Highland Park Christmas Tree Lighting Ceremony, Highland Park
Christmas Lights Celebration and Shopping Stroll at Highland Park Village
A$Ap Ferg - Floor Seats Tour at The Bomb Factory
Geezer, Deva, and Ramonahs at Three Links
Today is National Comfort Food Day - check your news and social media sources for specials!.
Friday, 12/6
Reddit dallas & downtowndallas Happy Hour Meetup at People’s Last Stand
Jonas Brothers at American Airlines Center
The Wood Brothers with special guest Katie Pruitt at The Kessler
Doobie's Faithfully Faded Album Tour at Ruins
Light Up Lakewood at Lakewood Shopping Center (Facebook link)
Morgan Page at Stereo Live
Jonathan Van Ness at The Pavilion at Toyota Music Factory
Fireside Movies (free) National Lampoon’s Christmas Vacation at Four Seasons Resort, Irving
Denton Holiday Lighting at the Denton Square
Fort Worth Symphony Handel's Messiah at UNT Murchison Performing Arts Center, Denton
Saturday, 12/7
Dallas Mavericks vs. New Orleans Pelicans at American Airlines Center
Dallas Stars vs. NY Islanders at American Airlines Center
Dallas Holiday Parade at Downtown Dallas (with stream/television broadcast by CW33)
Free First Saturday at the Nasher Sculpture Center
Reliant Lights Your Holidays free show at Sammons Park (Dallas Arts District)
Klyde Warren Park Tree Lighting at Klyde Warren Park
31st Annual Dallas Observer Music Awards Showcase at multiple venues in Deep Ellum
The Tower Antique Show in the Embarcadero at Fair Park (Sunday too)
Tamale Day at Dallas Farmers Market
North Haven Gardens Holiday Art & Gift Market at Northaven Church
Winter Faire and Market by Shakespeare Dallas at Samuell Grand Park
Emo Nite Dallas at Lizard Lounge
Graffiti Paint Day event at Stampede Saloon Fort Worth
Richardson Christmas Parade at Richardson Square Mall
Merry Market & Festival at Cityline Plaza, Richardson
Twinkle Light Boat Parade at Lake Grapevine
Sunday, 12/8
Dallas Mavericks vs. Sacramento Kings at American Airlines Center
Holiday Poinsettia Walk in Bishop Arts!
Verdigris Ensemble presents 'Twas the Night Before Christmas at Royal Lane Baptist Church
Rockefeller Christmas at The Majestic
Black Christmas – Presented by Fangoria at Texas Theatre
Funniest Comic in Texas 2019 at Addison Improv
Disney Jr Holiday Party at The Theatre at Verizon, Grand Prairie
Today is National Brownie Day - check your news and social media sources for specials!
Other Lists of Things to Do:
Do214 Top Picks
New: Culture Map Dallas Calendar
I’ve set the link to December 2nd, click next for successive dates or use the calendar to select a date. This is the calendar I use most often for theatre and ongoing events.
This Week’s Beer Events from BeerInBigD.com
The Dallas News Events link no longer allows me to set the date by week, and a monthly search yields an error, but if you love their editor’s picks, this link will get you there.
submitted by JustMeInBigD to Dallas [link] [comments]

All phone guy calls from FNAF 1-3

Night 1 Phone Call FNaF 1 "Hello, hello? Uh, I wanted to record a message for you to help you get settled in on your first night. Um, I actually worked in that office before you. I'm finishing up my last week now, as a matter of fact. So, I know it can be a bit overwhelming, but I'm here to tell you there's nothing to worry about. Uh, you'll do fine. So, let's just focus on getting you through your first week. Okay? Uh, let's see, first there's an introductory greeting from the company that I'm supposed to read. Uh, it's kind of a legal thing, you know. Um, "Welcome to Freddy Fazbear's Pizza. A magical place for kids and grown-ups alike, where fantasy and fun come to life. Fazbear Entertainment is not responsible for damage to property or person. Upon discovering that damage or death has occurred, a missing person report will be filed within 90 days, or as soon property and premises have been thoroughly cleaned and bleached, and the carpets have been replaced." Blah blah blah, now that might sound bad, I know, but there's really nothing to worry about. Uh, the animatronic characters here do get a bit quirky at night, but do I blame them? No. If I were forced to sing those same stupid songs for twenty years and I never got a bath? I'd probably be a bit irritable at night too. So, remember, these characters hold a special place in the hearts of children and we need to show them a little respect, right? Okay. So, just be aware, the characters do tend to wander a bit. Uh, they're left in some kind of free roaming mode at night. Uh...Something about their servos locking up if they get turned off for too long. Uh, they used to be allowed to walk around during the day too. But then there was The Bite of '87. Yeah. I-It's amazing that the human body can live without the frontal lobe, you know? Uh, now concerning your safety, the only real risk to you as a night watchman here, if any, is the fact that these characters, uh, if they happen to see you after hours probably won't recognize you as a person. They'll p-most likely see you as a metal endoskeleton without its costume on. Now since that's against the rules here at Freddy Fazbear's Pizza, they'll probably try to...forcefully stuff you inside a Freddy Fazbear suit. Um, now, that wouldn't be so bad if the suits themselves weren't filled with crossbeams, wires, and animatronic devices, especially around the facial area. So, you could imagine how having your head forcefully pressed inside one of those could cause a bit of discomfort...and death. Uh, the only parts of you that would likely see the light of day again would be your eyeballs and teeth when they pop out the front of the mask, heh. Y-Yeah, they don't tell you these things when you sign up. But hey, first day should be a breeze. I'll chat with you tomorrow. Uh, check those cameras, and remember to close the doors only if absolutely necessary. Gotta conserve power. Alright, good night. " Night 2 Phone Call FNaF 1 "Uhh, Hello? Hello? Uh, well, if you're hearing this and you made it to day two, uh, congrats! I-I won't talk quite as long this time since Freddy and his friends tend to become more active as the week progresses. Uhh, it might be a good idea to peek at those cameras while I talk just to make sure everyone's in their proper place. You know... Uh... Interestingly enough, Freddy himself doesn't come off stage very often. I heard he becomes a lot more active in the dark though, so, hey, I guess that's one more reason not to run out of power, right? I-I also want to emphasize the importance of using your door lights. There are blind spots in your camera views, and those blind spots happen to be right outside of your doors. So if-if you can’t find something, or someone, on your cameras, be sure to check the door lights. Uh, you might only have a few seconds to react... Uh, not that you would be in any danger, of course. I'm not implying that. Also, check on the curtain in Pirate Cove from time to time. The character in there seems unique in that he becomes more active if the cameras remain off for long periods of time. I guess he doesn't like being watched. I don't know. Anyway, I'm sure you have everything under control! Uh, talk to you soon. " Night 3 Phone Call FNaF 1 "Hello, hello? Hey you're doing great! Most people don’t last this long. I mean, you know, they usually move on to other things by now. I'm not implying that they died. Th-th-that’s not what I meant. Uh, anyway I better not take up too much of your time. Things start getting real tonight. Uh... Hey, listen, I had an idea: if you happen to get caught and want to avoid getting stuffed into a Freddy suit, uhh, try playing dead! You know, go limp. Then there's a chance that, uh, maybe they’ll think that you're an empty costume instead. Then again if they think you're an empty costume, they might try to... stuff a metal skeleton into you. I wonder how that would work. Yeah, never mind, scratch that. It's best just not to get caught. Um... Ok, I'll leave you to it. See you on the flip side. " Night 4 Phone Call FNaF 1 "Hello, hello? Hey! Hey, wow, day 4. I knew you could do it. Uh, hey, listen, I may not be around to send you a message tomorrow. banging sound It's-It's been a bad night here for me. Um, I-I'm kinda glad that I recorded my messages for you clears throat uh, when I did. Uh, hey, do me a favor. bang bang Maybe sometime, uh, you could check inside those suits in the back room? bang bang I'm gonna to try to hold out until someone checks. Maybe it won’t be so bad. bang bang Uh, I-I-I-I always wondered what was in all those empty heads back there. chime plays. You know...moan oh, no - noises followed by an animatronic screech and static " Night 5 Phone Call FNaF 1 (Phone Guy doesn't actually speak for this phone call. What is spoken is a reversed, and distorted paragraph from the Biography of Yogi. Here it is:) (Omitted: Sir,) it is lamentable that mass agricultural development is (omitted: not) speeded by fuller use of your marvelous mechanisms. Would it not be easily possible to employ some of them in quick laboratory experiments to indicate the influence of various types of fertilizers on plant growth? You are right. Countless uses (omitted: of Bose instruments) will be made by future gener- (omitted: ations. The scientist) seldom knows contemporaneous (omitted: reward; it is enough to possess) the joy of creative (omitted: service.) Night 1 Phone Call FNaF 2 "Uh, hello? Hello, hello? Uh, hello and welcome to your new summer job at the new and improved Freddy Fazbear's Pizza. Uh, I'm here to talk you through some of the things you can expect to see during your first week here and to help you get started down this new and exciting career path.
Uh, now, I want you to forget anything you may have heard about the old location, you know. Uh, some people still have a somewhat negative impression of the company. Uh... that old restaurant was kind of left to rot for quite a while, but I want to reassure you, Fazbear Entertainment is committed to family fun and above all, safety. They've spent a small fortune on these new animatronics, uh, facial recognition, advanced mobility, they even let them walk around during the day. Isn't that neat? -clears throat But most importantly, they're all tied into some kind of criminal database, so they can detect a predator a mile away. Heck, we should be paying them to guard you.
Uh, now that being said, no new system's without its... kinks. Uh... you're only the second guard to work at that location. Uh, the first guy finished his week, but complained about... conditions. Uh, we switched him over to the day shift, so hey, lucky you, right? Uh mainly he expressed concern that certain characters seemed to move around at night, and even attempted to get into his office. Now, from what we know, that should be impossible. Uh, that restaurant should be the safest place on earth. So while our engineers don't really have an explanation for this, the working theory is that... the robots were never given a proper "night mode". So when it gets quiet, they think they're in the wrong room, so then they go try to find where the people are, and in this case, that's your office. So our temporary solution is this: there's a music box over by the Prize Counter, and it's rigged to be wound up remotely. So just, every once in a while, switch over to the Prize Counter video feed and wind it up for a few seconds. It doesn't seem to affect all of the animatronics, but it does affect... one of them. -clears throat Uh, and as for the rest of them, we have an even easier solution. You see, there may be a minor glitch in the system, something about robots seeing you as an endoskeleton without his costume on, and wanting to stuff you in a suit, so hey, we've given you an empty Freddy Fazbear head, problem solved! You can put it on anytime, and leave it on for as long as you want. Eventually anything that wandered in, will wander back out. Uh, something else worth mentioning is kind of the modern design of the building. You may have noticed there are no doors for you to close, heh. But hey, you have a light! And even though your flashlight can run out of power, the building cannot. So, don't worry about the place going dark. Well, I think that's it. Uh, you should be golden. Uh, check the lights, put on the Freddy head if you need to, uh, keep the music box wound up, piece of cake. Have a good night, and I'll talk to you tomorrow."
Night 2 Phone Call FNaF 2 " Ah...hello, hello! Uh, see, I told you your first night wouldn't be a problem. You're a natural! Uh, by now I'm sure you've noticed the older models sitting in the back room. Uh, those are from the previous location. We just use them for parts now. The idea at first was to repair them...uh, they even started retrofitting them with some of the newer technology, but they were just so ugly, you know? The smell...uh, so the company decided to go in a whole new direction and make them super kid-friendly. Uh, those older ones shouldn't be able to walk around, but if they do, the whole Freddy head trick shoud work on them too, so, whatever. Uh...heh...I love those old characters. Did you ever see Foxy the pirate? Oh wait, hold on...oh yeah, Foxy. Uh, hey listen, that one was always a bit twitchy, uh...I'm not sure the Freddy head trick will work on Foxy, uh. If for some reason he activates during the night and you see him standing at the far end of the hall, just flash your light at him from time to time. Those older models would always get disoriented with bright lights. It would cause a system restart, or something. Uh, come to think of it, you might want to try that on any room where something undesirable might be. It might hold them in place for a few seconds. (That glitch?) might be in some of the newer models too. One more thing - don't forget the music box. I'll be honest, I never liked that puppet thing. It was always...thinking, and it can go anywhere...I don't think a Freddy mask will fool it, so just don't forget the music box. Anyway, I'm sure it won't be a problem. Uh, have a good night, and talk to you tomorrow." Night 3 Phone Call FNaF 2 "Hello hello! See? I told you you wouldn't have any problems! Did...uh... Did Foxy ever appear in the hallway? Probably not. I was just curious. Like I said, he was always my favorite. They tried to remake Foxy, ya know? Uh, they thought the first one was too scary, so they redesigned him to be more kid-friendly and put him in Kid's Cove. To keep the toddlers entertained, you know... But kids these days just can't keep their hands to themselves. The staff literally has to put Foxy back together after every shift. So eventually they stopped trying and left him as some 'take apart and put back together' attraction. Now he's just a mess of parts. I think the employees refer to him as just "The Mangle." Uh... Oh, hey, before I go, uh, I wanted to ease your mind about any rumors you might have heard lately. You know how these local stories come and go and seldom mean anything. I can personally assure you that, whatever is going on out there, and however tragic it may be, has nothing to do with our establishment. It's just all rumor and speculation... People trying to make a buck. You know... Uh, our guard during the day has reported nothing unusual. And he's on watch from opening til close. Okay, well anyway, hang in there and I'll talk to you tomorrow. " Night 4 Phone Call FNaF 2 "Hello? Hello? Uh, hey there, night four! I told you you'd get the hang of it! Ok, so uh, just to update you, uh, there's been somewhat of an, uh, investigation going on. Uh, we may end up having to close for a few days... I don't know. I want to emphasize though that it's really just a precaution. Uh, Fazbear Entertainment denies any wrongdoing. These things happen sometimes. Um... It'll all get sorted out in a few days. Just keep an eye on things and I'll keep you posted. Uh, just as a side note though, try to avoid eye contact with any of the animatronics tonight if you can. Someone may have tampered with their facial recognition systems - we're not sure. But the characters have been acting very unusual, almost aggressive towards the staff. They interact with the kids just fine, but when they encounter an adult, they just...stare. Uh...Anyways, hang tight. It'll all pass. Good night! " Night 5 Phone Call FNaF 2 "Hello, hello? Hey, good job, night 5! Um, hey, um, keep a close eye on things tonight, ok? Um, from what I understand, the building is on lockdown, uh, no one is allowed in or out, y'know, especially concerning any...previous employees. Um, when we get it all sorted out, we may move you to the day shift, a position just became...available. Uh, we don't have a replacement for your shift yet, but we're working on it. Uh, we're going to try to contact the original restaurant owner. Uh, I think the name of the place was..."Fredbear's Family Diner" or something like that. It's been closed for years though, I doubt we'll be able to track anybody down. Well, just get through one more night! Uh, hang in there! Goodnight!" Night 6 Phone Call FNaF 2 "Hello? Hello...uh...what on earth are you doing there, uh didn’t you get the memo, uh, the place is closed down, uh, at least for a while. Someone used one of the suits. We had a spare in the back, a yellow one, someone used it...now none of them are acting right. Listen j-just finish your shift it’s safer than trying to leave in the middle of the night. Uh we have one more event scheduled for tomorrow, a birthday. You’ll be on day shift, wear your uniform, stay close to the animatronics, make sure they don’t hurt anyone okay, uh for now just make it through the night, uh when the place eventually opens again I’ll probably take the night shift myself. Okay, good night and good luck." Night 1 Phone Call FNaF 3 "He-hey! Glad you came back for another night! I promise, it'll be a LOT more interesting this time! We found som-some great new relics over the weekend, and were out tracking down a new lead RIGHT NOW! So, uhh- let me just update you real quick, then you can get to work. Like, the attraction opens in like a week, so we have to make sure EVERYTHING works, and nothing catches on fire! Uhm, when the place opens, people will come in at the opposite end of the building, and works their towards you, and PASS you, and out the exit. Uh, yeah you've officially become part of the attraction. Uh, you'll be starring as... The Security Guard! So not only will you be monitoring the people on the camera as they pass through, you know, to make sure no one STEALS anything or, (makes out?) at the corner, but you'll also be a part of the show! It'll make it feel, really authentic I think. Uh, now let me tell you about what's new. We found another set of drawings, always nice, AND A FOXY HEAD! Which we think could be authentic! Then again, it might just be another crappy cosplay. And we found a Desk fan, very old school, metal though, so watch the fingers! Uh, heh! Uhm, right now the place is basically just, you know, FLASHING LIGHTS and SPOOKY PROPS. I honestly thought we'd have more by now, uh so if we don't have anything really cool by next week, we may have to suit you up in a (Freddy/Furry?) suit, and make you walk around saying: "BOOO!" Hehe. Uh, but you know like I said, were trying to track down, a good lead right now. Uh, some guy who helped design one of the buildings, said there was like, an extra room that got boarded up..? Or something like that. So! Were gonna take a peak, and see what we can find. Uh, for now just get comfortable with the new setup. You can check the security cameras over on your right, with a click of that blue button. Uh, you can toggle between the Hall cams and the Vent cams. Uh, then over on your far left, you can flip up your maintenance panel. You know, use this to reboot any systems that may go offline. Uh, in trying to make the place feel more vintage we have overdone it a bit! Heh heh. Some of this equipment is BARELY functional! Uh, I wasn't joking about the fire, that- that's a real risk. Uhm, but the MOST IMPORTANT THING, you have to watch for, is the Ventilation. Look, this place will give you the spooks man, and if you let that ventilation go offline, then you'll start seeing some craaazy stuff man, keep that air blowing! Ok, keep an eye on things, and we'll try to have something new for ya' tomorrow night. " Night 2 Phone Call FNaF 3 "Phone dude: "Hey man! Ok, I have some awesome news for you! First of all: We found some vintage audio traning cassettes. Dude, these are like, prehistoric! I think they were like, training tapes, for like other employees or something like that. So, I thought we could like, have them playing, like over the speakers while people walk through the attraction? Dude, that makes this feel, LEGIT man. But I have an even better suprise for you, and you're not gonna belive this! We found one. A REAL one. Uh, oh uhm, gotta go man! W-well look I-It's in there somewhere, I-I'm sure you'll see it. Okay, I'll leave you with some of this great audio I found. Talk to you late man!" Click! Phone guy: "Oh, Hello! Hello, hello! Uh, welcome to your new career as a perfomeentertainer, for Freddy Fazbear's Pizza. Uh, these tapes will provide you, with much needed information on how to handle/climb into/climb out of, mascot costumes. Right now, we have 2 specially designed suits, that double as both animatronic and suit! So please, pay close attention while learning how to operate these suits, as accidents/injury/death/irreparable and grotesque maiming can occour. First we will discuss how to operate the mascots when they are in Animatronic form. For ease of operation the animatronics are set to turn and walk towards sound, giving an easy and hands free approach, to making sure the animatronics stay where the children are, for maximum entertainment/crowd pleasing value. To change the animatronics to Suit mode, insert and turn firmly the hand crank, provided by the manufacturer. Turning the crank will recoil and compress the animatronic parts around the sides of the suit, providing room to climb inside. Please make sure the spring lock is fastened tight, to ensure the animatronic devices remain (fit?). We'll cover this in more detail, in tomorrow's session. Remember to smile, you are the face of Freddy Fazbear's Pizza. " Night 3 Phone Call FNaF 3 "Uh, hello hello! Uhm, for today's lesson we will be continuing our training on proper suit handeling technique. When using an animatronic as a suit, please ensure that the animatronic parts are tightly compressed and fastened, by the spring lock located around inside of the suit. It may take a few moments, position your head and torso between these parts, in a manner where you can move and speak. Try not to nudge or press against ANY of the spring locks inside the suit. Do not touch the spring lock at any time. Do not breathe on a spring lock, as mouisture may loosen them, and cause them to break loose. Incase that the spring lock comes loose while wearing the suit, please try to maneuver away from populated areas, before bleeding out, as to not ruin the customer experience. As always, if there is ever an emergency, please go to the designated safe room. Every location is filled with 1 extra room, that is not included in the digital map layout programmed for the animatronics or (security systems?). This room is hidden to customers and animatronics, and is always off camera. As always, remember to smile, as you are the face of Freddy Fazbear's Pizza. " Night 4 Phone Call FNaF 3 "Uh, hello? Hello, hello! Uhm, there has been a slight change of company policy, concerning you and the suits. Uhm, so. After learning of an unfortunate incident at the sister location involving multiple and simultaneous spring lock failures, the company has deemed the suits temporaily unfit for employees. Safety is top priority at Freddy Fazbear's Pizza, which is why the classic suits are being retired to an appropriate location, while being looked at by our technicians. Until replacements arrives, you'll be expected to wear the temporary costumes provided to you. Keep in mind, they were found on very short notice, so questions about appropriateness/relevance should be deflected. I repeat, the classic suits are not to be touched, activated or worn. That being said, we are free of liability, do as you wish. As always, remember to smile. You are the face of Freddy Fazbear's Pizza. " Night 5 Phone Call FNaF 3 "Hello, hello! Uhm, this is just a reminder of company policy concerning the safe room. The safe room is reserved for equipment and or other property not currently being used, and as a backup safety location for employees only. This is not a break room, and should not be considered a place for employees to hide and or (Don't understand what is being said), and under no circumstance should a customer EVER be taken into this room, and out of the main show area. Management has also been made aware, that the Spring Bonnie animatronic, has been noticeably moved. We would like to remind employees, that this costume is not safe to wear under any circumstances. Thank you, and remember to smile, you are the face of Freddy Fazbear's Pizza. " Night 6 Phone Call FNaF 3 "Uh, hello? Hello, hello! Uh, this is just to inform all employees, that due to (?) restrictions, the previously mentioned safe rooms, are being sealed at most locations. Including this one. Work crews will be here most of the day today, constructing a false wall over the old door bay. Nothing is being taken out before hand, so if you left anything inside, then it's your own fault. Management also requests, that this room not be metioned to family, friends or insurance representitive. Thanks again, and remember to smile. You are the face of Freddy Fazbear's Pizza. "
submitted by Doomguy46_ to copypasta [link] [comments]

Pre-vaporwave: a developmental timeline (LONG!)

OK, yeah...this is long. If you have the debilitating TL;DR Syndrome that results in a complete loss of mental composure due to exposure to more than two paragraphs of text, stop reading now and discuss your symptoms with your health care provider. There are medications that may help.
Aside of that, this grew out of a question some months back on here where someone asked me what the “lineage” for vaporwave actually is. Sooooo...I got started on this, and discovered that, in truth, there is a LOT of lineage there. In this timeline, I opted to look at developments that directly affect or inform the development of vaporwave that have occurred right up to the inception of the style. And yes, it does go all the way back to the concept of the melodic trope, as that is a clear ancestor of the practices of de/restructuring through existing material that is a major aspect of vaporwave. Some extramusical events are also noted here that are significant to vaporwave's overall concepts and which link together quite smoothly with the musical parts of the timeline at various points. And some of these linkages will doubtless be both revelatory and and informative.
Why is this significant? Basically, music does not occur in a vacuum (both literally and figuratively). And events in present-day music often have their causes at other points in music's history or from sources outside of music altogether. In vaporwave's case, this becomes particularly interesting and complex, as things which are relevant here often have less relevance to the pop music corpus which vaporwave often draws upon for its source material and aethetic. Part of this is likely due to vaporwave being a musical style which actually has more to do with experimental music, but also to the fact that vaporwave's development is so incredibly decentralized. As a result, it can be noted that the timeline starts to become very densely-packed as entertainment media assumes an ubiquitous role in worldwide society. This linkage makes perfect sense, however, when one considers what happens within vaporwave; the point that vaporwave exists as both a development from and reaction to entertainment media becomes quite clear as this timeline goes on.
So...here it is. Now, this doesn't cover every bit of minutae, but is intended more as a set of major “signposts”, events and developments which clearly move the direction of musical development toward the inception of vaporwave itself. As a result, there are certainly things that perhaps should be in here which are not...but then, that's what comment sections are for. Discuss, add to the discourse, and as that happens, everyone benefits from knowing/understanding more about vaporwave...and vaporwave itself benefits, as “lineage” tends to be viewed as critically-important in the study of music. And there is PLENTY to study...both in vaporwave and, as this shows, where vaporwave came from over a long span of time.
Approximately first half of 10th c.: In the monastery at St. Gallen (now in Switzerland) a manuscript is created that documents the “tropes”, or musical addenda, to the Liturgical Plainchant. A scanned facsimile can be found at https://www.e-codices.unifr.ch/en/list/one/csg/0484 These tropes are extra compositions and/or additions to be added to the longstanding chant forms that made up the Liturgy, creating a library of musical fragments which can be used amongst the Liturgy to generate variation on that core body of chant.
Mid-15th c.: A composer, presumably Antoine Busnois, writes a secular song called "L'homme armé". This “hit”, popular throughout Western Europe at the time, then finds its way into several dozen settings of the Mass as a “cantus firmus”, a melody that is recycled with ample variation into the polyphony of the Mass setting. Settings of this continue into the 16th c., when the practices of creating “parody masses” (masses based around a secular song) and troping in general are banned during the Counter-reformation at the Council of Trent. However, works based on the "L'homme armé" melody continue up into the present day; more about this at https://en.wikipedia.org/wiki/L%27homme_arm%C3%A9
Around 1600, Florence: Several composers, poets, and patrons of the arts devise a new artform by combining aspects of theatre, literature, music, and stagecraft to create opera. This new form, over a period of 400 or so years, eventually develops into an encompassing one that eventually goes beyond the stage, becoming the source for musical theatre in the late 19th century and, by extension, the staged pop music video, which began to appear in the mid-1950s; perhaps the best-known example from this time being Elvis Presley's “Jailhouse Rock”, a production number which was part of the 1957 Elvis movie of the same name and which today is perhaps more significant than the movie itself.
1611, Nagoya, Japan: Sukemichi Ito founds a kimono and lacquerware manufactory that, over time, becomes the oldest still-operating department store in the world, Matsuzakaya. Originally called Ito Gofuku, the firm's focus gradually shifted to retail sales in its first century and it became a Western-style department store in 1910.
17 July 1717, London, England: George Frideric Handel's “Water Music” is premiered during a cruise on the Thames hosted by King George I. As opposed to a proper concert setting, the orchestra for this work was placed on a barge towed behind the royal craft, as the work was intended as accompaniment for the river cruise and not the focus of the event itself. This is not only a significant date for ambient music, as it also is the premiere of a purely-background work of music, intended as such by the composer himself. Technically, this is where concepts such as Muzak begin, as well as the underlying precepts behind ambient music.
1787, Vienna, Austria: Wolfgang Amadeus Mozart publishes his “Musikalisches Würfelspiel”, or “Musical Dice Game”, in which precomposed musical fragments are assembled into entire pieces of music through the use of chance procedures operated by dice throws. While there are previous examples of this, Mozart's version appears to have been the first to offer up a fully-formed “score” for the process, allowing “players” to restructure 272 bars of his work into completely new musical pieces. An online version of the work, a direct precursor to sampling processes, can be found and played at http://www.playonlinedicegames.com/mozart
February 1848, London, England: “The Communist Manifesto” by Karl Marx and Friedrich Engels is first published. An analytical critique of class struggle and capitalism, the pamphlet became one of the most influential...and controversial...political documents in history, framing all of existing history to that point as a “history of class struggles” and examining how capitalist society continues to perpetuate this conflict.
Mid-19th c., Bayreuth, Germany: Richard Wagner conceives of the “gesamtkunstwerk” as a logical outgrowth of opera. While the term predates Wagner, he was the first to put the concept into practice, taking opera beyond its current constraints by demanding that the orchestra be hidden, by employing offstage musical forces, and by taking staging to a far more elaborate level which, eventually, required a complete reworking of the concept of the European opera house itself. Wagner's idea was to encourage artists to rely on hidden dream states and emotional responses to create works which both went beyond the separate aspects of opera and which also embodied the shadowy incompleteness of dreams, creating a unified spectacle both grounded in and divorced from mundane reality. This all-encompassing concept eventually finds its way into art in general by the end of the 19th century, informing visual artists, composers and some working in the new field of cinema.
1877, Menlo Park, New Jersey, USA: Thomas Alva Edison invents the phonograph. This device was capable of recording sound, which had already been demonstrated by numerous inventors prior to Edison's invention. These other recorders, however, were not capable of reproducing the recorded sound, making Edison's phonograph the first device to have the capability of storing audio for playback.
1889, Paris, France: Claude Debussy hears Javanese gamelan music for the first time at the Paris Exposition Universelle. This would mark the first time in which a composer of Western music would be directly influenced by non-Western musical forms. While prior examples of “musical exoticism” do exist, Debussy was less interested in gamelan music as a “gimmick” and much moreso as a source for expanding the vocabulary of Western composition. Not only would this encounter filter down through Western music to the present-day, it had a reverse influence on the Indonesian musicians, especially at Debussy's second encounter with this music at the 1900 Exposition; innovations in Javanese and especially Balinese music after 1900 are directly traceable to this encounter. More about this can be found at: https://symposium.music.org/index.php?option=com_k2&view=item&id=22:claude-debussys-gamelan&Itemid=124
1897, USA: Thaddeus Cahill patents his designs for the “Telharmonium”, now considered the first “synthesizer”, although the architecture of the instrument is more akin to that of the Hammond organ. Since the instrument predated the development of electronic amplification, it was built as a huge series of dynamos, required to generate the sizable voltages needed to serve the subscription service for Cahill's background music service which served New York City at the beginning of the 20th century. This led to the instrument's downfall, however, as the Telharmonium transmissions caused extensive interference on telephone circuits; Cahill's service was ended around 1912, which eventually led to the scrapping of the 200-ton instrument housed in Telharmonic Hall, located at 39th and Broadway in Manhattan. Laurens Hammond, a clockmaker, would later miniaturize concepts of the Telharmonium to create the Hammond organ about 15 years later, and this instrument would be far more successful due to its use of tube amplification and (relative) portability.
1900, Cobb Island, Maryland, USA: Reginald Fessenden begins his experiments with the transmission of audio via radio. This would culminate in his Xmas Eve experimental broadcast in 1906 from Brant Rock, Massachusetts of music and entertainment, the first such broadcast in history. This, basically, is the birth of the broadcast industry.
1913, Italy: Luigi Russolo publishes the manifesto “L'Arte dei Rumori”, or “The Art of Noises”, postulating a futuristic music based on replications of everyday noises. His response to the Industrial Revolution, the manifesto proposed that man, now used to complex sounds, would eventually turn toward a music constructed purely of noise. A year later, the premiere concert of this new music using special noise instruments which Russolo called “Intonarumori” would devolve into a riot. A single recording of two of these works, performed with Russolo's original instruments, was made in 1921, and these pieces can be heard at https://www.thereminvox.com/filemanagelist/12/ All of Russolo's original intonarumori were either lost or destroyed during World War II, but new versions of some have been recently built.
1915/16, New York City and Zurich, Switzerland: Several artists, including Marcel Duchamp, Tristan Tzara, Hugo Ball, Francis Picabia and numerous others, create Dada. Dada was an artistic movement that came about as a reaction to World War I, and artists and works produced by them rejected notions of logic, reason, then-current aesthetics, and bourgeois capitalism and consumerism. Dada subsequently sparked works of visual, musical, written and performance art that spurred the development of other art movements that rejected the then-current principles in the arts, such as surrealism and social realism while adopting a positive stance toward modernity and urban life. Dadaist works also made considerable use of methods that fit into the general heading of “sampling”, both visually and in some written works. However, its most visible musical proponent was Erik Satie, whose works played no small part in the development of ambient music; Satie's 1917 works of "Musique d'ameublement" or “furniture music” are considered the first such instances where music was composed for the deliberate purpose of being ignored as a sonic background.
1922, Staten Island, New York, USA: Gen. George Squier's new service, Wired Radio, Inc., debuts. Using the existing telephone network, the company offers home music delivery as a subscription service, but as radio becomes more commonplace as an free entertainment medium, Squier changed both the focus of the company and its name. So, in 1934, Squier's newly-rebranded Muzak company begins to offer his subscription service primarily to commercial clients.
14 December 1924: Ottorino Respighi's “The Pines of Rome” is premiered in that city. The third movement of that work requires the playback of a gramophone recording of a nightingale, with the composer specifying a specific model of playback (using a Brunswick Panatrope) and recording in the work's score. This is the very first instance of what is known as an audio sample being used in a musical work; in fact, in modern performances of this work, digital samplers are usually employed for this purpose.
1935, Berlin, Germany: AEG demonstrates the Model K1 Magnetophon, the first commercial tape recorder, at the Berlin Radio Show. While there had been prior “tape” machines, mot notably the very large and very dangerous Marconi-Stille steel razor-tape machines used by the BBC around this time, AEG was able to create a much smaller and more practical device by designing the K1 to use plastic-based tape stock. In subsequent years, German engineers continued to refine the machine to the point that it was used as a propaganda device, allowing radio broadcasts that seemed live to continue even at the height of combat during World War II. As such, the Magnetophon was viewed as an “enemy asset”, allowing for military personnel to confiscate ones used in broadcasting around the war's end. These confiscated Magnetophons became the basis for recording developments in the USA, UK, and France after WWII. Most importantly, the development of recording on plastic tape allowed engineers to physically edit the recordings, ostensibly for removing imperfections from performances, unlike either steel tape or gramophone lathe technology of that period.
1948, Paris, France: Broadcast engineer Pierre Schaeffer composes his “Cinq études de bruits” (Five Noise Studies) in which various recorded bits of audio (initially on disc, later on tape) are subjected to studio transformation processes, yielding the earliest pieces of what would be called “Musique concrète”, or music using pre-existing sounds. A notable example of this, the “Etude aux chemins de fer”, can be heard at https://archive.org/details/PierreSchaffertudeAuxCheminsDeFer. Schaeffer, in collaboration with the Club d'Essai (which eventually become the “Groupe de Recherches Musicales”, or GRM) and the French broadcast authority ORTF, would go on to create numerous devices and techniques for this new compositional medium. Many of these techniques still form the core of sampling technology today.
1949, Hollywood, California, USA. Bing Crosby, now the head of Ampex, gifts guitarist Les Paul with a Model 200A tape recorder, a device based on confiscated AEG Magnetophon technology. Paul's experiments with the machine eventually yield the single “Lover (When You're Near Me)”, released by Capitol Records in 1950. This track was created by Les Paul by using multitracking and overdubbing techniques developed by him, and stands as one of the very first significant uses of these tape techniques in music production. In later years, Les Paul would develop effects techniques such as tape delay and flanging, and worked with engineer Ross Snyder to develop Ampex's first multitrack tape machine. Along with this, Paul worked with the engineer Rein Narma to create the first multitrack mixing desk, as well as important sonic devices such as the first “look-ahead” audio compressors, the still-prized Fairchild 660 and 670.
1953/1954, Cologne, West Germany: Karlheinz Stockhausen, working in the new electronic music studio at Nord-West Deutsche Rundfunk in Cologne, composes the first fully-electronically-generated musical works, “Studie I & II”, which premiere on 19 October 1954. These two pieces, unlike previous “concrete” efforts, utilize sound spectra synthetically derived by electronic means, primarily using test equipment and broadcast tech, which alowed for empirical control over all aspects of sound. Stockhausen's Studies, as well as many of his subsequent electronic studio compositions, massively alter the course of music, setting in motion many later developments in music composition, music and recording technology, and altering general conceptions of how music can and should be created.
1955, Honolulu, Hawaii, USA: During a performance at the Shell Bar at the Hawaiian Village resort, a number of frogs in a pond in the semi-outdoor venue begin to make noises during a performance by Martin Denny and his lounge combo. When the group stopped, the frogs stopped. And when the group started up again, so would the frogs. But then, Denny began to receive audience requests to “play the song with the frogs”, so members of the group began to make simulated frog, bird, and other “jungle” noises amongst the music, in particular an arrangement of the Les Baxter tune “Quiet Village”. This arrangement of Baxter's song went on to sell over one million copies, and the concept of “exotica” was born. A fusion of easy listening, ethnic appropriations, lighter Latin jazz, and jungle ambiances, exotica became a major force in pop music in the USA at the end of the 1950s and the beginning of the '60s, but just as quickly disappeared when the British Invasion began in 1963. However, after the rediscovery of Denny's work in the late 1970s (by the likes of the pioneering Industrial group Throbbing Gristle, no less!), astute listeners began to realize that Martin Denny's work was part of the DNA of ambient music, with the group working to create a displaced tropical sensibility by inserting artificial “tropical” elements into basic lounge jazz.
October 1955, Luleå, Sweden: Shopping, the world's first completely enclosed shopping mall, opens. Built to allow indoor shopping in the severe Arctic weather of northern Sweden, the design by British architect Ralph Erskine was intended to bring the “city life” indoors during the winter. Shopping is still open to this day.
1957, Urbana, Illinois, USA: Lejaren Hiller, in collaboration with Leonard Isaacson, composes the “Illiac Suite”, the first composition to make large-scale use of a computer for composition. This work for string quartet used the ILLIAC I computer at the University of Illinois to generate the data which was then translated into musical notation for the performers. Alongside developments by Max Mathews at Bell Labs around the same time, this opened up music to the possibilities that computers could bring to composers as a tool for musical work.
1959, Paris, France: Authors William S. Burroughs and Brion Gysin collaborate on the development of “cut-up technique”, an array of methods for deconstructing and reconstructing texts, although over time and further collaboration with other writers and artists the technique would grow to encompass visual art, tape recordings, computer-generated texts, and so on. Burroughs felt that the method allowed a “Third Mind” into a work, beyond that of the artist and his or her source material, and the book “The Third Mind” by himself and Gysin functions both as an anthology of their experiments as well as a manifesto for the technique itself.
1961, Cherry Hill, New Jersey, USA: Max Mathews works with Bell Labs engineers to have a computer generate both the background music and the vocal sounds for the song “Daisy Bell”. One of the people to hear this demonstration was the author Arthur C. Clarke, visiting a colleague of his at Bell Labs at the time. This encounter formed the basis for the song's use in Clarke and Stanley Kubrick's “2001: A Space Odyssey”, one of the first science-fiction films to look at the future in a realistic light, which would inspire futurist concepts up into the present day. But the demonstration also showed that a computer could be used to synthesize ALL aspects of a musical performance...including vocals. Developments stemming from this early work are now very much a part of present-day digital audio technology.
6 February 1961: Marty Robbins' single “Don't Worry” is released. The track contains six-string bass parts which were recorded by Nashville engineer Glen Snoddy through a defective preamplifier for the “fuzz” sound the problematic circuit caused. Over the next year, Snoddy and broadcast engineer Revis Hobbs of WSM collaborate on reverse-engineering the defective circuit as an guitar effect device. This was eventually issued by Maestro in 1962, and was known as the “FZ-1 Fuzz-Tone”, the first commercially-available fuzzbox. Sales of the unit were slow until Keith Richards used one on his guitar for the Rolling Stones' hit “(I Can't Get No) Satisfaction”. The FZ-1 is also interesting in that it was the first device sold for the purpose of degrading audio quality as an aesthetic choice.
1963, Wuppertal, West Germany: An exhibition by the composer Nam June Paik entitled “Exposition of Music – Electronic Television” opens, in which Paik shows several video sculptures which were made by using magnets and circuit alterations on everyday CRT televisions. A participant in the post-Dada art group Fluxus, Paik went on to explore video synthesis, combinations of electronic sculpture and performance art, videotape field recording, and robotics, in addition to theoretical work in the mid-1970s which helped to define the later development of the Internet. However, Paik's work with video was perhaps the most critical aspect, showing the artistic potential in intervening in and tampering with the various signals that make up video. And in a very real sense, Paik's work also laid important groundwork for the fields of glitch art and circuit bending.
1964, San Francisco, California and upstate New York, USA: At around the same time, two engineers set out to come up with the same solution to different problems. One, in California, starts to build a system of circuits to assist a group of tape music composers, and the other in New York was working on solving an issue with controlling electronic music circuits with voltages. Both of these men would lend their names to the synthesizers that resulted from these developments: Don Buchla and Robert Moog. The systems they devised would alter the landscape of music altogether, and would take the tedious and esoteric methods used ten years previously by Karlheinz Stockhausen and all electronic composers who would follow in his lead and condense them into playable musical instruments. With further developments in electronics yet to come, synthesizers would become smaller, portable, and eventually ubiquitous.
30 November 1967, Cologne, West Germany: Karlheinz Stockhausen's magnum opus for electronic and concrete sound “Hymnen” premiers in its version for 4-channel tape and soloists. Comprised of electronic soundscapes peppered with manipulated and transformed tape samples from national anthems, shortwave and other field recordings, and songs from around the world. The two-hour piece, in four movements, was intended as a “world portrait” in sound of mankind at that juncture in time. At the time, its length was groundbreaking, but its free combination of both pure electronic and concrete sounds was equally significant in breaking the barrier between these two directions in electronic music. And, coming at the time that it did, “Hymnen” elevated Stockhausen to something approximating rockstar status for several years, leading to offers of collaboration with the likes of the Beatles.
1968, Kingston, Jamaica: Osborne Ruddock, aka King Tubby, creates the first true “dub” mix from Slim Smith's “Ain't Too Proud to Beg” at Treasure Isle. Producer Bunny Lee encouraged Tubby to rework the track after an instrumental “version” of The Paragons' “On the Beach” caused a sensation at a Kingston sound system the previous evening. Not only would this become the birth of dub, but it was essentially the birth of remix culture in general, as innovations from the Jamaican dub scene went on to play a formative role in hiphop, house, techno, and more futuristic spins on the dub style that would begin to emerge in the 1990s.
October 1968: Columbia Records releases “Switched-On Bach”, a reworking of ten pieces by the Baroque composer Johann Sebastian Bach, performed and multitracked by Walter (now Wendy) Carlos on an early Moog system. While there had been recordings of electronic works prior to the album's release, Carlos's efforts connected with the listening public partly due to the familiarity of the musical works that the new electronic sounds had been deployed in. The album makes the Moog a household word, goes on to become the first album of electronic music to sell one million copies, and attracts an immense amount of attention to electronic music from all quarters...most notably, from other musicians, who then become eager to work with the new instrument. This development spurs the emergence of new companies that start their own lines of electronic instruments, as well as the portability of the instruments themselves. This last factor is the beginning of the separation of the development of electronic music from academic and broadcasting institutions as the new portable synthesizers draw yet more attention and revenue, beginning the gradual democratization of electronic music in general.
29 October 1969, Los Angeles, California, USA: UCLA Prof. Leonard Kleinrock and his assistant Charley Kline become the first people to successfully send a message from one computer to another via an experimental US Department of Defense network, ARPANET. This event marks the beginning of what would come to be known as the Internet.
(1970 forward is below, as the doc appears to be a bit long for Reddit)
submitted by Lugia909 to Vaporwave [link] [comments]

I need some help on buying a cleaning robot for my lava stone floor!

So i have a house with lava stone floor and it’s been some years since i had a cleaning robot. The problem used to be that the robot always broke it’s weels because of the hard lava stone floor so that’s why i stopted getting them! I was just thinking if anybody could tell me if there is a cleaning robot nowadays that can handel a lava stone floor..
submitted by BloodGuy980 to roomba [link] [comments]

I found a Grassy Corruption Agency

Dankity doo Grassy/@comment-36057984-20191201174757/@comment-40165208-20191202163152 got corrupted by Grassy (Not G. U. 2020) cuz he is senpai!~♥ And hekilled Naily." Dis userpage/article is conquered by Grassy, along with Wacky Workbench, UmbraSnivy, whose ego will ensure this will stay near the top, because youtube is where the poop is, All character userboxes, Vsauce, Palm Tree Panic Will Venable busting a move on top of the dougout with Mr. Met, the letters Q, A, K, H, P, and Y, Work That Sucker To Death by Xavier (ft. George Clinton and Bootsy Collins), George W. Bush, Jeb Bush, Crazy Hand, Ampullae of Lorenzini, my sword, my bow, and my axe, The Onion, Gregorio's Tightie Whities Company, Flipnote Hatena, The 1997 World Series, Jet fuel, someone who should have been the one to fill your dark soul with LIGH-GHT! That one annoying Mets fan who interfered with a live ball and gloated by waving his mitt at David Dahl, ʎɥdʎlƃnɹəɔ Cameradancer100 singing "Hit me baby one more time," George Carlin saves President Obama from bad Indie Music, Lazytown, Mother 3, Quadrupedal Dolphins, The Miami Dolphins, Miami Heat, Miami Marlins, University of Miami's Basketball Team, 2001: A Space Odyssey, Space Jam, Guitar Hero Encore: Rocks the 80's, Samsung, Six Flags, Laffy Taffys, Donald Trump, Italian people who live in Japan and have the last name Baldelli, the italian knock off of baldis basics called baldellis basics, the real Baldi's Basics in Education and Learning, Supreme, LemonMouthTheCat, Flamer, "Don't You Evah" by Spoon, Carlos Guevara's Tweets that say "It's a good night" 90 percent of the time, the rest of Carlos Guevara's Tweets including the one where he got really really really mad because his food at Chili's was too cold or something (he even put a picture of his food with a caption saying "this angers me every time"), a runabout (She stole it! NO ONE WILL EVER KNOW!!!!!!!!!!!!) Toontown Online, ShamWow, Derpyunikitty, All of MrFlamerBoy's OCs, Ruhmoat, Tubbybloxian the robloxian teletubby, Reater the Cheater, Bomby, Tim Lincecum's hair, Taylor Swift's hit single "Delicate", Houses, Tanline666 and his blog post announcing he is unblocked, asdfmovie, pineapples, Thunderstruck by ACDC Other Real Estates, The creator Takeo Ischi singing about chickens, Geno, People who release boring songs as their debut singles, Hypseleotris compressa, That spider you killed back when you were 8, A fruit fly corpse, Mr. Moseby's lobby, Flying Battery Zone, softwaregore, Paul Blart Mall Cop 2, Steel beams, laser beams, pretty much every other kind of beam there is, "Counting Stars" by OneRepublic, Katajrocker, Dehumidifiers, XXXTentacion's Death P.A.C.T, Tzipi Shavit, Yogurtslavia, Hiccory, Benny No, Cavendish Bananas, LeAlgae, octahedrons, Crash Twinsanity, F-Zero, Io, SpongeBob SquarePants (The Show), people who put anything before Wacky Workbench, Coiny, your pests, Super Smash Bros Brawl, Bruce Lee, Jackie Chan, An electric guitar made out of acryllic and is filled with liquid and glitter to make a cool snow globe, two Number 9's, a Number 9 Large, a Number 6 with extra Dip, a Number 7, Two Number 45's, one with Cheese, and a large Soda. squid eyeballs, Eraser, Svalbard, Nickelodeon, Game Shakers, Oshawott, Snivy (And Tepig) SNSD Gee, An Oxi Clean Container autographed by Billy Mays, My absence from this wiki, Vsauce, Nappa, The UK, KarateMario4Life, the Illuminati, Windows 10 Shop, The Battlecats, All of the squirrels in the universe, the color Amaranth, Warioware Gold, people who follow every page they edit, Mario Kart Wii, Bothus the flounder, Joanna Newsom, SammyNWIKI (and all sockpuppets thereof), a heckin y e l l o w house, Asian Carps, 8-Ball's Fumes, Some Firey hater or something, USERNAME Template, Selene vomer, Fartnut Bottle Royalty, The muffin that wants to die die die, Spicy Af Roblox Memes, The Impractical Jokers, the people who are waiting for BFB 13, People who believe that this might be offensive and want it deleted but are actually good people that mean well but please listen to me we just want to make a funny joke and we aren't trying to be offensive, Fake Smash ultimate Leaks, 4 dozen eggs, A crazy Asian guy by the name of Kenji Johjima who is on the loose trying to steal mashed potatoes from your local Popeye's, Foxtrot comics, Chiaotzu's death scene, The now closed trollpasta wiki,Roblox Creepypasta, scrampled egg, phyllo dough, Greg Heffley's nickname "Bubby", Picross 3d Round 2, Tide pods, The Safety Dance by Men Without Hats, the ugliest myna bird in existence, PediaSure, Super Mario Odyssey, Gay People, Puzzle Body: Beware! Invading bigs! Yag People, The Elite Beat Gaents sequel that has yet to release, various kinds of loach (including but not limited to Pangio incognito, Nemacheilus selangoricus, and Chromobotia macracanthus), The numbers 47, 99, 519, 24, 963, 8, 69, 658, and 82, Nokia, Rude Buster, ₯, その言語のエスペラント, Some really dumb joke, Yuri's death scene, Three Nights At Harry's, Sony Pictures, SMG4, doggo's of all sizes, ppl who write him/her instead of them, Autism, Swordfish antlers, The people that have made Despacito a meme, The fact that i barely protect the meme from straying too far from my vision, The Disrespectoids, "You Say Run" from My Hero Acadamia, badly coded Minecraft mods, Pen Island (no spaces all caps), the Cat-Bear-Burger, Schaffrilas Productions, this mailbox, this triagonal sign, Fries’ fries, whatever the heck is on top of Bell’s string, Despacito, Despacito 2, Despacito (Justin Bieber remix), Despacito (Mini Pop Kids version), Johnny Johnny, Baconator, Son of Baconator, Baconator Fries, Crocs, Princess Stapy, Become Woody from Roblox, Leafy, Evil Leafy, Metal Leafy, FOOTBALL, people who use the 😂 emoji unironically, Macarons, Emplemon, Macaroons, Macaroni, Pirates of the carribean 5 dead men tell no tales, kazoos, that song that goes "bee-boo-boo-bop, boo-boo-beep”, blue houses, blue windows, blue corvettes, 10 million fireflies, Picross 3D, the word “bland”, that old time rock and roll, fake news, real news, fortnite dances, flan fans, non-slip shoes so ha, The Powerpuff Girls Movie, Activison, Skylanders, Tambourines, Pokemon Crystal, Club Penguin Rewritten, yay, Nickelback, the Orion Nebula, Vyond, the leg of the table you banged your toe on 5 days ago, Mistaphone, That one flavor of chip that nobody likes and is always left in the industrial-size bag, softwaregore videos, The Cheez-it off brands you saw at the grocery store once, Beep (the word, not the team), Sonic Advance 2, Foldy, Africa by Toto, Detective Pikachu, the person who invented the Fidget Spinner (Catherine Hettinger), congle, the Pancreas, t h e b a t h , Tomodachi Collection (the Japan exclusive), Get to the top in 500 steps, Get to the top although there is no top, Cloudy Eggs, a blob fish, jokes about various flatfish, you'er uncle, the thing she owns that you will just forget is there, you're uncle, your uncle, Catworld, people named Claudia, People born on the 22nd of any month, the Yanny or Laurel debate, 11/1/18, The slowing of editing on this template, Kleenex, Atheism, that one meme (ya'll know the one i'm talking bout ;), Flappy Bird, The Angry Birds Movie, Eggy, overly complicated descriptions of simple everyday objects, Really long lists, Fanny, Oganesson,Tomodachi Life, Any shade of Green, SAW 3D, this, all dead and/or overused memes (including but not limited to Darude - Sandstorm, Despacito, Knuckles The Echidna, Spaghet, Protegent Antivirus Scam Thing, Nano's key, Evil Patrick, Patrick Corbin, the word "pizzaz", Hide The Pain Harold, that weird dancing hot dog, Fireflies by Owl City, All Star by Smash Mouth, and Fidget Spinners, Non-Slip Shoes So Ha!, Fries, French Fries, those waffle shaped fries from chick fil a, those paper wristbands you get at festivals that you can’t take off without using scissors, jacksfilms’ forehead, katajrocker's forehead, Love Handel, VY Canis Majoris and UY Scuti, particle man, triangle man, universe man, Goku's muffin button, Four, person man, the board game Not Canon-dy Land, anything that Fanny hates, that offbrand coca-cola you buy solely because it’s cheap, FNAF 3, the 2015 film “Cool Cat Saves the Kids,” Adventure time being cancelled, The Nations of the World (brought to you by Yakko Warner), the word “snazzy,” b-swag's "crazy eyes" he made at you when he saw you playing with mighty beanz in the middle of class, people who disrupt the order of the meme which is bad, Deltarune Battle Theme, the “i don’t like sand” scene from attack of the clones, YEET, Taco Bell (the restaurant chain), Taco Bell (the ship/pairing consisting of two characters from Battle for BFDI, Taco and Bell), the girly song from that target commercial which is also used as joc pederson's walkup song, candy canes, Smeargle, Rocky, The great BBIEAL Wiki Vandalism war, The Counterfeit Catworld Caper, A soft chair that looks like it has Knuckles the Echidna on it, Sherk, Mad Catz, Life After People, Tin Cans, Bracelety's signs, Osmosis Jones,Some Idiot, Free Vandalism Wiki, Tree, TWOW, a fake guy, the 4th dimension, Animorphs, Emuparadise, Loom Bracelet Kits, The Flat Earth Society, Moon Truthers, the following emoji: 🅱️,🤔, and 👏, Pink Gold Peach, the Oxford Comma (meaning the highly variable quotation mark), Oxford Comma (meaning the Vampire Weekend song), ¶, Team Ice Cube!, Rock Lobster by B-52's, JUST MONIKA, dummie Cool for Cats by Squeeze, BuzzFeed, נמר הכסף, The Klasky Csupo Robot, the statement of "I hate myself", The Leg-Powered Recovery Center, Bubsy, GameCube, The Spongebob Episode "The Paper", flan, verbose, lungfish, Nailey, Tack, Florence + The Machine, Sarcastic Bro, The person that made this joke (Lemonmouththecat), his joke Sonic OC ALEXX THE EHCINDA, Lady and the Tramp, Sweden, North Korea memes, Homestar Runner, TV Tropes, Bandicam, Bunkbeds, Gorillaz (both the band and the album), Ol' Reliable, Cloudchaser, The Story of PrettySilverFlower, The story about a little guy that lives in a blue world and all day and all night and everything he sees is just blue like him inside and outside, Abandonment, me, Jakks-Pacific Spongebob Plug-N-Play from 2003, Never Gonna Give You Up, the Patapon series, that blue balloon, the 21st night of september, The Boulevard of Broken Dreams (wherever that is), yesn’t, that one scene from bfb 6 where tb and gb are staring at each other while rapidly moving their eyebrows up and down, Ggggkkyfjugjjoigtt, the rains down in Africa, any bad joke that has to do with Eraser farting on 8-Ball, all the memes that have been popular on the Internet, that fourth Chaos emerald, NORMIES, Funky Kong, FЯED, Book eating Doritos, The song "and the day goes on" by Bill Wurtz, ВИD of Doom, FCO, the entire universe as we know it, Alemagno12, you're mom gayest lmao, 👌😂💯, NEW FUNKY MODE, the 2016 republican debate, your mom, The bad clones of this meme including MARKER OWNS YOU, bat and all of her ocs, the Disney movie "Mars Needs Moms", NailyLovesYou, bomby not finishing his banana, everything THICC, Yuli Gurriel's "Asian Eyes", Guile, bow, BTS, Monsta X, BFDI The Show, Micheal's bleached hair, Adam Lind's bleached hair, repetition, repetition, The Netflix Original "True And The Rainbow Kingdom", The time when Free Vandalism Wiki was shut down, MrFlamerBoy's demotion, Mr Perfect Cell, Kalen Spagatini didn't get his up to bat, a bronze exclamation mark sideways 90° that's rainbow and has spots where the spots invert the rainbow and has a left square bracket on it, ur own squad fam, Hopsin, FUNK VOLUME, Undercover Prodigy, Ill Mind Of Hopsin 8, Hopsin's hit "Sag my Pants", Charmx's intro song "Hey Mami", The Vamparina theme song, cockatiels, benny worm, dame tu cosita, baka-chan, buffsuki, trollface, being globally blocked, a red blanket, Hong Kong 97, poopy mayonnaise, noo noo from teletubbies, [[User:{{{1}}}|{{{1}}}]] ([[User talk:{{{1}}}|talk]] · [[Special:Contributions/{{{1}}}|contribs]]), natsuki, Hatsune miku, red glasses, BoCo the Diesel Engine, Mike wazowski, meowstic, Kittenwolfie's edgy furry oc, Super Saiyan soup, ramen noodles, woosh, BRIGHT SIDE, youareanidiot.com, Cloudy eggs, Mad Mew Mew, Annoying orange, Spoilers, 4our, Any form of parrot, The mandela effect, Numberjacks, Cubeez, Whenever cary swears, The Episode of Annoying Orange: "Incognito Burrito", Ali-A, a banana next to a banana, eggs with legs, GMO, My singing monsters and all its monsters, mushroom soup, Somebody toucha my Spaghet, dropping by Squidward's house, World of Light memes, Linus the Lionhearted, The TATRK episode Zappy Cling, Daniel Lenz's Hit "Groovin' Now" which he stupidly sold to 2K Sports (bad move Daniel!), Dumb Subliminal Transformation videos, YTP, Bleh, ToonMarty, Prism Entertainment, Digiview Entertainment, Doritos, Mountain Dew, Pepsi, NOT Coke, High-Fructose Corn Syrup, Sugar, Kool-Aid, Tart Like Cherries, Sweet Like Chocolate, the Mr. Bean game for the PS2, Jayfeather's stick, Elf on the shelf, BFDIA 6, Cristali, Some edgy furry, Roblox memes, Vaporwave, Everyone who is pangender, Tumblr, Limp bizkit, Joshua and the promised land, Exactly 36 tumblr genders, that one kid who inhaled a peanut, Shiny cowards, Man eating food, The return of applesmack, Daisy Cruiser, Where's the chapstick 4am freestyle, Ratboygenius, Cyriak, Google deep dream, indian tech support scammers, Ralsei, People who still say "Swag", Biggie Smalls and Tupac, Everybody Loves Raymond, Starkit's prophcy, Poopsy the killer, SCP-999, santa.exe bloodfinger, Exploding human J, Jason vorhees, Dnd starter sets, Thornclaw the patrol guy, HeyHowdyHey05, FurAffinity, People who post aesthetic stuff too much, Rhyme city, Fiddy cents, Fluffy rabbits who look like cloudy, Unironic TikToks, Putting cold spoons on your eyes to make them look bigger, Wikihow, EvanTubeHD, The cinnamon challenge, People who say "Styoobid", THIS USER HAAAATTEES NICKEL AND WANTS TO KICK HIM IN HIS OOBILY GOOBILY WEEZER BEEZERS UNTIL HE'S HOLY-ROLY-POLY GUACOMOLE DEAD!!!!!!!!!!!!, The words "Freestyle, Goofy," and "Teapot", Boops, Dutch angel dragons, Everything deltarune jevil owns, that fact this account exists, Kids who sign up for neopets in 2019, Blue budgies and blue budgies only, Sonichu, thathappened, Fake van gogh paintings, Hobbykids TV, The cat from edukayfun's "Ding dong bell", People who think LOL means "Lots of love", Logitech speakers, Bootleg Gucci clothing with peppa pig on it, Quality meats, Four but in the body of dovewing from warrior cats, Pikachu mains (not pichu), That one botched art resoration, The My little pony episode "Lesson Zero", OwnagePranks, Somalia, Blixemi's "What they can't see", People who put "Xx" In their names inironically, The few people who still play bin weevils, That one instagram egg, IMVU, People who's names are "Greg Fisher" who are also 67 year old blueberry farmers with pet wombats, Chipotle, oldpeoplefacebook, People who stick voice control signs on a microwave, FGteev, T-series, Supreme, Watermelon Steven, That one image of the two legged cat with no ears, Billystorm, Skyclan's Names, Starclan, FANBOYS/FANGIRLS!!!!, Rocky & Bullwinkle, Chester Cheetah: Too Cool To Fool, Tec Toy, LJN, Felix the Cat, True: Happy Hearts Day, BEST GIRL TSUYU, Tenya Iida, Tony Tony Chopper and his depressing backstory, Monkey D. Luffy and the other strawhats, all 1000 or so One Piece episodes, Dendy, Russian Genesis Bootlegs, Cool Spot, Ramu Enterprises, Speedy Gonzales, Mr. Nutz, Awesome Possum, Tricky Quiky Games: Die Suche nach den verschollenen Seiten II, Spot Goes to Hollywood, people hating Scratch 3.0, Ow the Edge, Art Alive, Woody Woodpecker, McKids (NES) Game & Watch, Eriru, GrassFire shippers and Rouxls Kaard(+pretty much everything) LOLOLOLOLOLOLOLOLOLOL XD ROFLMFAOMGAHAHHAHAHAHAHAHAHAH IM LITERALLY DYING RIGHT NOW HAHAHAHAHAHLLOLOLOLOLOLOLOLOLOLOXDDDDDDDDDDDDDDDDDD pfffffft HAHAHAHAHAHHXDDDLLOLOLOLOL W H O D I D T H I S boi aaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaa aaa aaaaaaaaaaaa aaaaaaaaaaaaaaaaa aaa aaaaaaa aaaaaaaaaaa aaaaaaa the naily cant be sotped aa aaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaa aaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaaa oof oof oof oof oof oof oof oof oof oof oof but seriously this meme has been in danger please protect it Spread The Word! what has this gone into... Anyway, where were we? Oh yeah, Naily also owns some meme thing IDK, a copy of the Bee Movie and won't let you watch it because it's hers, Sophie, another Sophie and another Sophie. WATCHTHE VIDEO VERSION HERE!!!!!11!!!!ONE!!!! https://www.youtube.com/watch?v=VcHL42j_2X81 User:LavenderSyrup User:KokomiKitten and User:PeriwinklePopcakeCat are silly girls , This is Fairy Godmother,Also who tf would dislike this m2asterpiece, oh yeah now I remember who it was it was that (censor) good for nothing (censor43) (censor)taaru. What. The Flip. hi hello hello marker owns you is a ripoff and sho7uld die itself her father isd deltarune jevil who owns the sun as well as fortnut an her siblings are starkit, ObjectMaster, Tree, subscribe to ceru ;glyphy on youtube, 🅰️, 🅱️, ©️, D, E, F, G, H, I, J, K, L, M, N, O, P, Q, R, S, T, U, V, W, X, Y, Z, BFDI, BFDIA, IDFB, BFB, Inanimate Insanity, Inanimate Insanity II, BOTO, Object Lockdown, NOT GMO, An idiot, A creative boi,caillou grounded party, Shrek singing despacito, Club penguin KISHKA DETON, Moqo, hi, Moto Moto, Stephen from DanPlan, Star Zone, Eddsworld stinksKISHKA DETON, KISHKA DETON, APARRI and finally (For the love of Naily keep this at the bottom) The Naily Estate Building. The pride and joy of all of nailkind. Wow, that's a lot of stuff, ain't it? That's why Naily needs this template as a list, you hacks wait never mind I’m the hack I’m so stupid!
SUB TO PEWDIEPIE!!!!!!!!!!!!!!!!!!!
BE MEAN TO THIS IDIOT
Grassy ate a cat. ALL HAIL GRASSIES ALL HAIL GRASSIES ALL HAIL GRASSIES ALL HAIL GRASSIES ALL HAIL GRASSIES ALL HAIL GRASSIES ALL HAIL GRASSIES ALL HAIL GRASSIES ALL HAIL GRASSIES ALL HAIL Grassies ALL HAIL GRASSIES ALL HAIL GRASSIES CUZ HE MADE THIS TEMPLATE.
submitted by Chilln0 to BattleForDreamIsland [link] [comments]

Handel: Trumpet concertos - YouTube Introducing Handle - YouTube Geld an der Börse verdienen automatisch mit MT 4 EA ... Automatisch Traden Bootcamp - 8 Ihr erster Trading Robot ... Das Trade Roboter Projekt: Wir starten den realen Handel ...

Diejenigen, die Robot Trading benutzen, müssen einen geeigneten Handelswert und den perfekten Zeitrahmen für den Handel finden, um ihre Gewinne zu maximieren. Einige Trading Bots sind in der Lage, zahlreiche Charts auf eine Weise zu scannen, die Menschen aufgrund physischer Limitationen versagt bleibt. Darüber hinaus wird ein Trading Robot mit bestimmten Parametern entwickelt, die für ... The mobile robot for moving boxes in the warehouse. Handle’s small footprint, long reach, and vision system enable it to unload trucks, build pallets, and move boxes throughout your facility. Join Mailing List. TECHNOLOGY. Autonomous Handle utilizes deep-learning vision software to identify and locate boxes. It unloads trucks, palletizes, and depalletizes at the push of a button. ... TRADING ROBOTS Unter einem Trading-Robot versteht man ein codiertes Skript, das automatisierte Handelsstrategien beinhaltet. Er öffnet bzw. schließt vorwiegend aufgrund von technischen Indikatoren verschiedene Positionen. Binary Option Robot Broker für den automatisierten Handel. Binary Option Robot Broker Liste setzt sich sowohl aus regulierten, als auch aus nicht regulierten Brokern zusammen. Wir betonen jedoch, dass es sich bei allen um vertrauenswürdige Broker handelt. Vergleich der minimalen Einzahlungssummen und Auszahlunssummen der Broker . Nach der Registrierung bei dem Broker muss man erst eine ... Robot; Rating; Eigenschaften; Handel; 1 Gratis Nutzung. 88% Rendite versprochen; €250 Min Deposit; Akzeptiert Kreditkarte; Gratis Konto eröffnen. Der Handel ist riskant The News Spy. Auch The News Spy gehört zu den beliebtesten Trading Robotern. Da wir bereits die Möglichkeit des Demokontos erwähnt haben, wollen wir gleich voll damit einsteigen. Denn bei The News Spy gibt es ein ...

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Handel: Trumpet concertos - YouTube

https://mql4tutorial.de In nur 4 Minuten erstellen wir unseren ersten Trading Robot, bei MQL4 und Metatrader4 spricht man von einem so genannten Expert Advis... Handle is a research robot that stands 6.5 ft tall, travels at 9 mph and jumps 4 feet vertically. It uses electric power to operate both electric and hydr... binäre optionen plus 500 euro - seriöse robot broker http://bitlye.com/7k7yHv Unsere Mitglieder genießen jeden Monat Retreats auf der ganzen Welt, während... Nächste Woche ist der Live-Trading-Day: https://ninjacademy.traderfox.de/live-trading-day/ Disclaimer und Haftungsausschluss Dieses Video ist nur für Ausbild... Zu dem Besten Broker (aus dem Video) http://biturl.cc/AvaTrade Hier direkt KOSTENLOS herunterladen https://www.goldsofttrading.info/GoldSoftTrader%20V.1....

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